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Making knowledge public

The Bobcat Comics series features collaborations between artists and UC Merced scholars. The comics explore research on colonial Alta California, how Latinas use "journey" rather than "war" metaphors when talking about breast cancer, unruly patriarchs and failed women and more. One stand-out is How to Read an Aztec "Comic": Indigenous Knowledge, Mothers' Bodies, and Tamales in the Pot, a collaboration by artist Jordan Collver and Chicana Studies scholar Felicia Rhapsody Lopez about women's representation in the ancient Mesoamerican text, Codex Borgia/Yoalli EhΔ“catl.

Another stand-out is the bilingual Sed por Cambio: Una GuΓ­a Visual para Involucrarse en la PolΓ­tica del Agua / Thirsty for Change: Visual Guide to Getting Involved in Water Politics.

not even a see-through sleeve for my name tag

Plastic, Plastic Everywhere β€” Even at the UN's "Plastic Free" Conference. From the moment I landed in Ottawa, the counter-argument of the plastics industry was inescapable, from wall-sized ads at the airport to billboards on trucks that cruised around the downtown convention center. Their message? Curtailing plastic production would spell literal doom. "These plastics deliver water" on an ad depicting a girl drinking from a bottle in what was implied to be a disaster zone.
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