For Valentine’s Day, writers picked their favourite lesser-known film love stories – from a dom-sub chamberpiece to a magical teen comedy

• ‘It launched a million fantasies’: the greatest ever TV romances

It’s the first rule of romcoms that opposites attract, and you can’t imagine two more different lovers than Poinsettia (Lynn Redgrave), a spark plug of a dame convinced that she is in a relationship with the 19th-century composer Giacomo Puccini, and Fish (James Earl Jones), a gentle giant who spends his spare time wrestling a demon that only he can see. That makes for some of the film’s funniest moments, like when Poinsettia ruins a Madama Butterfly opera performance by loudly singing along to the aria. Charles Burnett’s touching film is about how Fish and Poinsettia find refuge with each other that lets them emerge from the fantasies protecting them from the real world’s cruelty, and they find a kind of late-in-life puppy love over dinner dates, cozy sleepovers and card games at their Barbary Lane-like boarding house. When I saw the restoration last 14 February, the theater was filled with couples who, like my boyfriend and I, seemed cozied up just a little closer than usual. Owen Myers

The Annihilation of Fish is available on the Criterion Channel in the US

The picture, taken with Paul Thomas Anderson at this year’s Oscar nominee lunch, recalls the eerie image that closes Kubrick’s 1980 horror classic

Frankenstein director Guillermo del Toro’s “jazz hands” pose in the Oscar nominee luncheon photo was part of his and fellow director Paul Thomas Anderson’s attempt to recreate the celebrated group shot, featuring Jack Nicholson, that appears at the ending of The Shining.

Del Toro responded to a post – in which he and Anderson had been inserted into the image from the 1980 horror film directed by Stanley Kubrick – by saying: “[Y]ou got it! PTA and I said: Let’s do the Shining pose and we tried.”

An AI clip featuring Tom Cruise and Brad Pitt fighting has caused concern among industry figures

A leading Hollywood figure has warned “it’s likely over for us”, after watching a widely disseminated AI-generated clip featuring Tom Cruise and Brad Pitt fighting.

Rhett Reese, co-writer of Deadpool & Wolverine, Zombieland and Now You See Me: Now You Don’t was reacting to a 15-second video showing Cruise and Pitt trading punches on a rubble-strewn bridge, posted by Irish film-maker Ruairí Robinson, director of 2013 sci-fi horror The Last Days on Mars. Reposting the clip on social media, Reese wrote: “I hate to say it. It’s likely over for us.”