The bristling wit and melancholy of Cees Nooteboom came to me when I needed it most | Madeleine Thien
The great Dutch travel writer, who died this week, found history inscribed in every place he visited, all while remaining accountable to the present
In the opening to his acclaimed travelogue Roads to Santiago, the Dutch author Cees Nooteboom writes that βthere are some places in the world where one is mysteriously magnified on arrival or departure by the emotions of all those who have arrived and departed beforeβ. Travellers have existed in every age, Nooteboom continues, but only for some does there exist a particular sorrow: that of the one who departs with no hope of return. For them, the voyage out becomes the life.
Nooteboom, who was born in the Netherlands in 1933 and died this week aged 92, was drawn to what could be grasped through the βprism of movementβ. In a body of work that includes some 60 books of fiction, poetry, reportage and travel writing, of which only a dozen or so have been translated into English, he became a chronicler of departures. In The Following Story, Nomadβs Hotel, The Foxes Come at Night and Lost Paradise, Nooteboom, his characters and his subjects take to the road. They glimpse histories dissolving from memory and past cruelties rekindled, again and again, in ways that chill the heart. Nooteboom was 12 years old when his father was killed during the second world war; he has said that his first childhood memories are of the bombings and the destruction in their wake.
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Β© Photograph: Awakening/Getty Images

Β© Photograph: Awakening/Getty Images

Β© Photograph: Awakening/Getty Images