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Before yesterdayMain stream

Technology is probably changing us for the worse—or so we always think

15 May 2024 at 05:00

MIT Technology Review is celebrating our 125th anniversary with an online series that draws lessons for the future from our past coverage of technology. 

Do we use technology, or does it use us? Do our gadgets improve our lives or just make us weak, lazy, and dumb? These are old questions—maybe older than you think. You’re probably familiar with the way alarmed grown-ups through the decades have assailed the mind-rotting potential of search engines, video games, television, and radio—but those are just the recent examples.

Early in the last century, pundits argued that the telephone severed the need for personal contact and would lead to social isolation. In the 19th century some warned that the bicycle would rob women of their femininity and result in a haggard look known as “bicycle face.” Mary Shelley’s 1818 novel Frankenstein was a warning against using technology to play God, and how it might blur the lines between what’s human and what isn’t.

Or to go back even further: in Plato’s Phaedrus, from around 370 BCE, Socrates suggests that writing could be a detriment to human memory—the argument being, if you’ve written it down, you no longer needed to remember it.

We’ve always greeted new technologies with a mixture of fascination and fear,  says Margaret O’Mara, a historian at the University of Washington who focuses on the intersection of technology and American politics. “People think: ‘Wow, this is going to change everything affirmatively, positively,’” she says. “And at the same time: ‘It’s scary—this is going to corrupt us or change us in some negative way.’”

And then something interesting happens: “We get used to it,” she says. “The novelty wears off and the new thing becomes a habit.” 

A curious fact

Here at MIT Technology Review, writers have grappled with the effects, real or imagined, of tech on the human mind for nearly a hundred years. In our March 1931 issue, in his essay “Machine-Made Minds,” author John Bakeless wrote that it was time to ask “how far the machine’s control over us is a danger calling for vigorous resistance; and how far it is a good thing, to which we may willingly yield.” 

The advances that alarmed him might seem, to us, laughably low-tech: radio transmitters, antennas, or even rotary printing presses.

But Bakeless, who’d published books on Lewis and Clark and other early American explorers, wanted to know not just what the machine age was doing to society but what it was doing to individual people. “It is a curious fact,” he wrote, “that the writers who have dealt with the social, economic, and political effects of the machine have neglected the most important effect of all—its profound influence on the human mind.”

In particular, he was worried about how technology was being used by the media to control what people thought and talked about. 

“Consider the mental equipment of the average modern man,” he wrote. “Most of the raw material of his thought enters his mind by way of a machine of some kind … the Twentieth Century journalist can collect, print, and distribute his news with a speed and completeness wholly due to a score or more of intricate machines … For the first time, thanks to machinery, such a thing as a world-wide public opinion is becoming possible.”

Bakeless didn’t see this as an especially positive development. “Machines are so expensive that the machine-made press is necessarily controlled by a few very wealthy men, who with the very best intentions in the world are still subject to human limitation and the prejudices of their kind … Today the man or the government that controls two machines—wireless and cable—can control the ideas and passions of a continent.”

Keep away

Fifty years later, the debate had shifted more in the direction of silicon chips. In our October 1980 issue, engineering professor Thomas B. Sheridan, in “Computer Control and Human Alienation,” asked: “How can we ensure that the future computerized society will offer humanity and dignity?” A few years later, in our August/September 1987 issue, writer David Lyon felt he had the answer—we couldn’t, and wouldn’t. In “Hey You! Make Way for My Technology,” he wrote that gadgets like the telephone answering machine and the boom box merely kept other pesky humans at a safe distance: “As machines multiply our capacity to perform useful tasks, they boost our aptitude for thoughtless and self-centered action. Civilized behavior is predicated on the principle of one human being interacting with another, not a human being interacting with a mechanical or electronic extension of another person.”

By this century the subject had been taken up by a pair of celebrities, novelist Jonathan Franzen and Talking Heads lead vocalist David Byrne. In our September/October 2008 issue, Franzen suggested that cell phones had turned us into performance artists. 

In “I Just Called to Say I Love You,” he wrote: “When I’m buying those socks at the Gap and the mom in line behind me shouts ‘I love you!’ into her little phone, I am powerless not to feel that something is being performed; overperformed; publicly performed; defiantly inflicted. Yes, a lot of domestic things get shouted in public which really aren’t intended for public consumption; yes, people get carried away. But the phrase ‘I love you’ is too important and loaded, and its use as a sign-off too self-conscious, for me to believe I’m being made to hear it accidentally.”

In “Eliminating the Human,” from our September/October 2017 issue, Byrne observed that advances in the digital economy served largely to free us from dealing with other people. You could now “keep in touch” with friends without ever seeing them; buy books without interacting with a store clerk; take an online course without ever meeting the teacher or having any awareness of the other students.

“For us as a society, less contact and interaction—real interaction—would seem to lead to less tolerance and understanding of difference, as well as more envy and antagonism,” Byrne wrote. “As has been in evidence recently, social media actually increases divisions by amplifying echo effects and allowing us to live in cognitive bubbles … When interaction becomes a strange and unfamiliar thing, then we will have changed who and what we are as a species.”

Modern woes

It hasn’t stopped. Just last year our own Will Douglas Heaven’s feature on ChatGPT debunked the idea that the AI revolution will destroy children’s ability to develop critical-thinking skills.

As O’Mara puts it: “Do all of the fears of these moral panics come to pass? No. Does change come to pass? Yes.” The way we come to grips with new technologies hasn’t fundamentally changed, she says, but what has changed is—there’s more of it to deal with. “It’s more of the same,” she says. “But it’s more. Digital technologies have allowed things to scale up into a runaway train of sorts that the 19th century never had to contend with.”

Maybe the problem isn’t technology at all, maybe it’s us. Based on what you might read in 19th-century novels, people haven’t changed much since the early days of the industrial age. In any Dostoyevsky novel you can find people who yearn to be seen as different or special, who take affront at any threat to their carefully curated public persona, who feel depressed and misunderstood and isolated, who are susceptible to mob mentality.

“The biology of the human brain hasn’t changed in the last 250 years,” O’Mara says. “Same neurons, still the same arrangement. But it’s been presented with all these new inputs … I feel like I live with information overload all the time. I think we all observe it in our own lives, how our attention spans just go sideways. But that doesn’t mean my brain has changed at all. We’re just getting used to consuming information in a different way.”

And if you find technology to be intrusive and unavoidable now, it might be useful to note that Bakeless felt no differently in 1931. Even then, long before anyone had heard of smartphone or the internet, he felt that technology had become so intrinsic to daily life that it was like a tyrant: “Even as a despot, the machine is benevolent; and it is after all our stupidity that permits inanimate iron to be a despot at all.”

If we are to ever create the ideal human society, he concluded—one with sufficient time for music, art, philosophy, scientific inquiry (“the gorgeous playthings of the mind,” as he put it)—it was unlikely we’d get it done without the aid of machines. It was too late, we’d already grown too accustomed to the new toys. We just needed to find a way to make sure that the machines served us instead of the other way around. “If we are to build a great civilization in America, if we are to win leisure for cultivating the choice things of mind and spirit, we must put the machine in its place,” he wrote.

Okay, but—how, exactly? Ninety-three years later and we’re still trying to figure that part out.

Who lives in a pineapple under the sea?

By: Rhaomi
1 May 2024 at 18:55
You could call them "sky flowers," but that doesn't really make sense either—after all, the faded blue behind each squiggle is water, not sky, and the squiggles themselves don't represent solid objects in any tangible, meaningful way. But they look right. The reds and greens and yellows add life and color in a way that a flat blue might not. Those odd shapes, suspended motionless with no clear reason or value, establish a tone. There are a lot of things that don't make sense on SpongeBob SquarePants. But there's a clear and coherent vision that runs through the entire show, from the design of SpongeBob's kitchen-sponge body down to the squeaky-balloon sound of his footsteps. It's a perspective, and a warm, specific, crazy little world. Of course it has sky flowers in it. What else would be up there?
Today marks 25 years since the original broadcast of "Help Wanted" -- the pilot episode of marine biologist Stephen Hillenburg's educational comic that became a delightful romp of "relentless optimism and fundamental sweetness", a hothouse flower of inventive and absurdist imagination, a cultural touchstone for multiple generations, and one of the most iconic and beloved animated franchises of the 21st century. Are you ready, kids?

Background Stephen Hillenburg, In His Own Words - "Compiled from various interviews, documentaries and other appearances, here is Stephen Hillenburg, talking about SpongeBob, his career, and more." Hillenburg's original educational comic, The Intertidal Zone, on the Internet Archive Hillenburg's death at age 57 from ALS led to an outpouring of grief and remembrance The original 1997 "story bible" SpongeBob Season 1 DVD Behind the Scenes The Oral History of SpongeBob SquarePants MeFi on the show's 10th anniversary ✏️ Animation ✏️ Spongebob Squarepants: The Art of the Gross-Up, a technique originally pioneered by Ren and Stimpy - see also: spongebobfreezeframes.tumblr.com Lovingly-curated Imgur galleries of all the matte-painting freeze-frame moments (notes):
Season 1: part one - part two - part three Season 2: part one - part two - part three - part four Season 3: part one - part two - part three - part four
(PS: Why so much focus on the first three seasons? Because Hillenburg left the show after the release of the first movie at the end of season 3, causing a noticeable decline in tone and quality.) ️ Voice Acting ️ The incredible voice cast has done plenty of table reads of key episodes (Help Wanted, Band Geeks, Shanghaied), not to mention dubbed classic cinema (previously), but most impressive are their fully-produced live-action skits: The Trusty Slab - More scenes Tom Kenny & Bill Fagerbakke Answer the Web's Most Searched Questions News you can use: How to do the SpongeBob laugh (Note that Kenny also doubled as series "host" Patchy the Pirate) ✍️ Essays + Articles ✍️ On The Postmodern Ethos Of "Spongebob Squarepants"
Like all postmodern "texts", Spongebob Squarepants doesn't deny the absurdity of existence. The show is filled with absurd and surreal moments, far too many to describe here. And as a postmodern show, Spongebob has its nihilistic moments as well. One in particular that stands out is from season three's episode "Doing Time", when Spongebob and Patrick attempt to break Mrs. Puff out of jail. After she refuses to leave, Spongebob wonders to Patrick if maybe she'd forgotten what it's like to "live in the outside world". The scene then cuts to a montage of typical postmodern malaise — a man (fish, rather) going to work, sitting in rush hour traffic, then gazing dejectedly out of his window as a woman asks if he's coming to bed. Depressing, hopeless, and completely nihilistic, this moment reminds viewers of their own mortality and the dangers of routine... or, if you're just a kid, you'll realize that being an adult can suck.
SpongeBob Made the World a Better, More Optimistic Place
On Monday, SpongeBob SquarePants creator Stephen Hillenburg died after a recent diagnosis with ALS. Nickelodeon confirmed the news on Twitter Tuesday afternoon. What followed was an outpouring of grief for the man behind one of the most recognizable and beloved cartoon characters of all time. [...] Through his show, Hilleburg was an evangelist of sorts for the unstoppable power of positive thinking, which he usually dramatized with absurd scenarios. Think of the time SpongeBob sculpts a perfect marble sculpture with a crack of the chisel, or when he wins a fast foodery face-off against the Flying Dutchman—the undead daddy of burger grilling—with the special ingredient of love. SpongeBob tackles everything in life—work, driving school, friendship, pain, lifeguarding, climate change—with a level of zealous breeziness usually reserved zen monks and six-year-old kids.
Memes Vox: How SpongeBob memes came to rule internet culture
It's hard to overstate just how popular SpongeBob SquarePants memes are. On Reddit, r/BikiniBottomTwitter — which exists mainly so that people can screencap the memes from Twitter and share them on Reddit — has more than 1.7 million subscribers, making it one of the site's most popular meme subreddits. (By comparison, the more general r/Spongebob subreddit only has 74,000 subscribers.) And SpongeBob memes don't just appear and then die; as Digg's editors noted in the site's 2018 SpongeBob retrospective, the biggest SpongeBob memes "are all pretty much meme superhits. There are no deep cuts here." What exactly is it about SpongeBob memes that make them so enduring and enjoyable?
SpongeBob SquarePants creator Stephen Hillenburg gave the internet language Revisit: A Chronology of SpongeBob Memes Tom Kenny and Bill Fagerbakke on Spongebob Meme Culture What's your favorite SpongeBob quote? Each Radiohead album described with SpongeBob -- just the first of a whole genre of video memes Music Songs:
Season 1: Opening Theme - Livin' In The Sunlight, Lovin' In The Moon Light - Ripped Pants - Jelly Fish Jam [CW: flashing lights] - The F.U.N. Song - Doing the Sponge - I Wanna Go Home Season 2: Loop de Loop - This Grill is Not a Home - Sweet Victory - Hey All You People - Hey Mean Mr. Bossman [Happy May Day, btw] Season 3: Striped Sweater - Electric Zoo - Underwater Sun - When Worlds Collide - You're Old - The Campfire Song Song
Plus a complete playlist of season 1's eclectic production music, including twangy ukelele, ragtime, traditional Hawaiian , whimsical Rakenhornpipe, and of course sea shanties like "What Shall We Do With the Drunken Sailor" Recaps + Retrospectives TVTropes' sprawling article on the series and recap of nearly the entire run Episode retrospectives:
Help Wanted (S1E1): Reimagined as a collaborative ReAnimation and as a black-and-white classic cartoon Pizza Delivery (S1E5): This Is What A Perfect Episode Of Spongebob Looks Like - A whole playlist of live-action remakes SB-129 (S1E14): How Spongebob Explored Existential Nihilism ("SB-129") Rock Bottom (S1E17): "Rock Bottom" reimagined as a Gothic claymation - Podcast discussion Hooky (S1E20): The Powerful Message In This Episode of Spongebob: Don't Get "Hooked" On Drugs Squirrel Jokes (S2E11): The Smartest Episode of Spongebob Squarepants (an Analysis) Shanghaied (S2E13): Live-action remake Band Geeks (S2E15): Band Geeks Is The Best Spongebob Episode - Band Geeks ReAnimated - the disappointing Super Bowl LIII cameo (and the improved LVIII version) Procrastination (S2E17): This SpongeBob Episode Will Make You Stop Procrastinating Sailor Mouth (S2E18): SpongeBob SwearPants: A Look At Moralization Of Swearing - Why "Sailor Mouth" Was So Controversial Squidville (S2E26): Spongebob's Darkest Episode Wet Painters (S3E10): Bubbles of Thought - Full storyboard recap Krusty Krab Training Video (S3E10): The Brilliance of Krusty Krab Training Video - Live-action remake Chocolate With Nuts (S3E12): Live-action (puppet!) remake Graveyard Shift (S3E24): How 'Nosferatu' turned up in SpongeBob SquarePants - Why a Painting of SpongeBob SquarePants Just Sold for $6 Million
The official YouTube playlist of 50 episode capsule summaries in 5 minutesClips ️ A grab-bag of memorable moments (via):
I DON'T NEED IT - How to blow a bubble - FIRMLY GRASP IT - 1% Evil, 99% Hot Gas - The gang's all here - We serve food here, sir - Krusty Krab Pizza - The pioneers used to ride these babies for miles - He's just standing there... MENACINGLY - Are there any other Squidwards I should know about? -Too hot... Too wet... Toulouse Lautrec - Everything is chrome in the future! - Photosynthesis -"MY LEG" - Advanced darkness - Steppin' on the beach - You used me... for LAND DEVELOPMENT - Stop starin' at me with them big ol' eyes - Have you finished those errands? - The story of the Ugly Barnacle - "No, this is Patrick" - Leif Ericsson Day - The boy cries him a sweater of tears, and you kill him - Ravioli Ravioli, give me the formuoli - Freeform jazz - That's OK, take your time - WHO ARE YOU PEOPLE - What I learned in boating school is... - Going on dry land - How does he dooo that? - DoodleBob - The inner machinations of my mind are an enigma - Is mayonnaise an instrument? - Flag twirlers - BIG... MEATY... CLAWS - That's his... eager face - Sweet Victory - Nosferatu! - - Sentence enhancers - Bold and Brash - MY NAME'S... NOT... RIIICK! - One Eternity Later... - Push it somewhere else - I'll remember you all in therapy - The Magic Conch - You like Krabby Patties, don't you, Squidward? - We've been smeckledorfed! - IMAGINATION - Wumbo - Smitty Werbenjagermanjensen - Striped Sweater - The French Narrator's time cards - Welcome to the Salty Spittoon, how tough are ya? - Weenie Hut, Jr.'s - The world's smallest violin - A clever visual metaphor used to personify the abstract concept of thought - Robots have taken over the world! - Spongebob and Patrick as parents - We're not cavemen -- we have technology! - HOOPLA! - Maximum Overdrive - It's time for the moment you've been waiting for - CHOCOLATE - Is your mother home? - Flatter the customer! - Mermaid Man and Barnacle Boy - What do you normally do when I'm gone? - That's a 4/4 string ostinato in D minor! Every sailor knows that means death! - Are you feeling it now, Mr. Krabs? -
Episodes
And lastly, the first three classic seasons online (click to expand)S1E1: Help Wanted / Reef Blower / Tea at the Treedome S1E2: Bubblestand / Ripped Pants S1E3: Jellyfishing / Plankton! S1E4: Naughty Nautical Neighbors / Boating School S1E5: Pizza Delivery / Home Sweet Pineapple S1E6: Mermaid Man and Barnacle Boy / Pickles S1E7: Hall Monitor / Jellyfish Jam S1E8: Sandys Rocket / Squeaky Boots S1E9: Nature Pants / Opposite Day S1E10: Culture Shock / F.U.N. S1E11: MuscleBob BuffPants / Squidward the Unfriendly Ghost S1E12: The Chaperone / Employee of the Month S1E13: Scaredy Pants / I Was a Teenage Gary S1E14: SB-129 / Karate Choppers S1E15: Sleepy Time / Suds S1E16: Valentines Day / The Paper S1E17: Arrgh! / Rock Bottom S1E18: Texas / Walking Small S1E19: Fools in April / Neptunes Spatula S1E20: Hooky / Mermaid Man and Barnacle Boy II S2E1: Your Shoes Untied / Squids Day Off S2E2: Something Smells / Bossy Boots S2E3: Big Pink Loser / Bubble Buddy S2E4: Dying for Pie / Imitation Krabs S2E5: Wormy / Patty Hype S2E6: Grandmas Kisses / Squidville S2E7: Prehibernation Week / Life of Crime S2E8: Christmas Who? S2E9: Survival of the Idiots / Dumped S2E10: No Free Rides / Im Your Biggest Fanatic S2E11: Mermaid Man and Barnacle Boy III / Squirrel Jokes S2E12: Pressure / The Smoking Peanut S2E13: Shanghaied / Gary Takes a Bath S2E14: Welcome to the Chum Bucket / Frankendoodle S2E15: The Secret Box / Band Geeks S2E16: Graveyard Shift / Krusty Love S2E17: Procrastination / Im with Stupid S2E18: Sailor Mouth / Artist Unknown S2E19: Jellyfish Hunter / The Fry Cook Games S2E20: Sandy, SpongeBob, and the Worm / Squid on Strike S3E1: The Algaes Always Greener / SpongeGuard on Duty S3E2: Club SpongeBob / My Pretty Seahorse S3E3: The Bully / Just One Bite S3E4: Nasty Patty / Idiot Box S3E5: Mermaid Man and Barnacle Boy IV / Doing Time S3E6: Snowball Effect / One Krabs Trash S3E7: As Seen on TV / Can You Spare a Dime? S3E8: No Weenies Allowed / Squilliam Returns S3E9: Krab Borg / Rock-a-Bye Bivalve S3E10: Wet Painters / Krusty Krab Training Video S3E11: Party Pooper Pants S3E12: Chocolate with Nuts / Mermaid Man and Barnacle Boy V S3E13: New Student Starfish / Clams S3E14: Ugh S3E15: The Great Snail Race / Mid-Life Crustacean S3E16: Born Again Krabs / I Had an Accident S3E17: Krabby Land / The Camping Episode S3E18: Missing Identity / Planktons Army S3E19: The Sponge Who Could Fly (The Lost Episode) S3E20: SpongeBob Meets the Strangler / Pranks a Lot
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Fish performs Misplaced Childhood for its 20th Anniversary

By: hippybear
30 April 2024 at 23:46
Shockingly, the 20th Anniversary of Marillion's album Misplaced Childhood is over twenty years ago! Anyway, FISH - Return To Childhood 20th anniversary tour of misplaced childhood [3h12m] is an odyssey, with Fish's solo career dominating the front half and a full playthrough of Misplaced Childhood and a rundown of other Marillion songs in the second half. It's a really delicious feast of this particular style of prog rock. If you're a fan of early eighties Genesis and don't know about Marillion/Fish, check this out. It's what you're looking for.

I still think the original run of 4 Marillion albums with Fish as frontman and then the first Fish solo album Vigil In A Wilderness Of Mirrors all work together as a sort of meta-Concept Album. That might be the subject of a different post, but those four plus Vigil... closing with the love song that Fish talked about wanting to try to write on the first album? I mean, it's all a bit of a tidy bow. There are even melodic elements being reused across all four albums. anyway...Marillion: the story of their dark masterpiece, Misplaced Childhood [Louder, longread]
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