Directors Jared Hess and Lynn Wang craft a solid piece of family fun with the tale of a pony aiming for success in disguise

Thelma the Unicorn, a new Netflix animated family movie, has plenty of successful tricks aimed at kids: glitter and cotton-candy pink, a pile of manure jokes, a mini-album of catchy original songs, an endearing hero in its titular singing pony-turned-unicorn. But perhaps its greatest asset is its parable of fame, easy enough for young minds reared on phones to grasp, but winking to those who understand a matching-double-denim-outfits on the red carpet reference.

I have to imagine that it is bewildering to grow up aware of or aspiring to viral fame – Instagram celebrities, TikTok trends, overnight Youtube stars –before you even really know yourself. In the grand tradition of kids movies peppered with adult references and talking donkeys, Thelma the Unicorn, directed by Lynn Wang and Napoleon Dynamite’s Jared Hess, offers up plenty of glitterified, thoroughly silly fun over a decent, sunny message on staying true to yourself in the spotlight.

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A semi-straight turn from Fred Astaire in this witty comedy drama. He is an American diplomat in London whose employee (Jack Lemmon) is renting a flat from a mysterious, organ-playing landlady (Kim Novak) who is widely suspected of having offed her husband. Astaire brings a touch of old-school sophistication, while he and Lemmon make for an appealing double act, trading gags rather than toe-taps.

Ryan Reynolds leads an all-star cast in a sweet, if a little messy, tale of imaginary friends reconnecting with the grown-ups who once bid them goodbye

If, the new kids comedy from John Krasinski, has all the elements of a family friendly hit: a healthy dose of sentimentality, a heavy emphasis on the power of a child’s imagination and a prerequisite of tragedy undergirding on a girl’s journey. Also, an expensive mix of live-action and animation and an all-star cast of voice actors – among them, George Clooney, Jon Stewart, Amy Schumer, Bradley Cooper, Maya Rudolph and Krasinski’s wife, Emily Blunt – playing a roster of Imaginary Friends (Ifs) forgotten by their grown-up creators and companions.

On paper, Krasinski’s first kids film as a writer-director checks the boxes, though in practice it’s not quite as cuddly as Blue, the giant purple bear hug of an If hammily voiced by Steve Carell, looks. There’s an underlying, perfunctory sweetness to this tale of a girl who, in the midst of family turmoil, can suddenly see everyone’s former imaginary friends. But If doesn’t fully conjure the magic that has elevated such family classics featuring sentient non-human companions as Toy Story 3 and Paddington 2.