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Forget aerobars: Ars tries out an entire aerobike

12 May 2024 at 06:30
Image of a aerodynamic recumbent bicycle parked in front of a pickup truck.

Enlarge / The Velomobile BΓΌlk, with its hood in place. Note the hood has an anti-fog covering on the visor (which is flipped up). The two bumps near the front of the hood are there to improve clearance for the cyclist's knees. (credit: JOHN TIMMER)

My brain registered that I was clearly cycling. My feet were clipped in to pedals, my legs were turning crank arms, and the arms were linked via a chain to one of the wheels. But pretty much everything else about the experience felt wrong on a fundamental, almost disturbing level.

I could produce a long list of everything my mind was struggling to deal with, but two things stand out as I think back on the experience. The first is that, with the exception of my face, I didn't feel the air flow over me as the machine surged forward down a slight slope. The second, related to the first, is that there was no indication that the surge would ever tail off if I didn't hit the brakes.

Living the dream

My visit with a velomobile was, in some ways, a chance to reconnect with a childhood dream. I've always had a fascination with vehicles that don't require fuel, like bicycles and sailboats. And during my childhood, the popular press was filled with stories about people setting human-powered speed records by putting aerodynamic fiberglass shells on recumbent bicycles. In the wake of the 1970s oil crises, I imagined a time when the roads might be filled with people cycling these pods for their commutes or covering long distances thanks to a cooler filled with drinks and snacks tucked in the back of the shell.

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Shut Up 'n Play Yer ... Bicycle?

By: ShooBoo
3 May 2024 at 10:57
In 1963, a clean-cut Frank Zappa appeared live on the Steve Allen show playing a musical composition on bicycles. The entire 16:28 is worthwhile to watch for the conversation and interaction between the two, but the performance with the show's orchestra starts at 11:56. The show's talent coordinator Jerry Hopkins discusses how the young musician's debut performance came about.

(Yes, this is a dupe from 2006. I came across this on my own, but it's been 18 years, the links are dead in the dupe, and I think it's worthwhile to revisit)
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