The internet and a new film have breathed life into old conspiracy theories about one of the world’s most famous landmarks.

Last week, filmmaker Darren Aronofsky's AI studio Primordial Soup and Time magazine released the first two episodes of On This Day... 1776. The year-long series of short-form videos features short vignettes describing what happened on that day of the American Revolution 250 years ago, but it does so using “a variety of AI tools” to produce photorealistic scenes containing avatars of historical figures like George Washington, Thomas Paine, and Benjamin Franklin.

In announcing the series, Time Studios President Ben Bitonti said the project provides "a glimpse at what thoughtful, creative, artist-led use of AI can look like—not replacing craft but expanding what’s possible and allowing storytellers to go places they simply couldn’t before."

Outside critics were decidedly less excited about the effort. The AV Club took the introductory episodes to task for "repetitive camera movements [and] waxen characters" that make for "an ugly look at American history." CNET said that this "AI slop is ruining American history," calling the videos a "hellish broth of machine-driven AI slop and bad human choices." The Guardian lamented that the "once-lauded director of Black Swan and The Wrestler has drowned himself in AI slop," calling the series "embarrassing," "terrible," and "ugly as sin." I could go on.

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Senators asked Ted Sarandos about whether the acquisition would raise prices, squeeze talent and degrade the moviegoing experience.

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President Trump’s unusual decision to involve himself in the government’s review of the deal puts pressure on his antitrust chief.

© Pete Kiehart for The New York Times

This is our way to fight back against the forces of evil—the forces that are pushing back against LGBT equality, all of these horrible anti-trans laws, the banning of trans kids from sports and all of that stuff. For us as artists and writers, this is our only weapon. from "Wow, This Is So Gay": An Oral History of But I'm a Cheerleader [Vanity Fair; ungated]