Howard Assembly Room, Leeds
A TV cookery star becomes the main course, while doomed vegetables and a depressive egg create havoc, in this darkly comic show by the Scottish artist and composer David Fennessy at Opera North

Spare a thought for Amy J Payne, the gutsy mezzo-soprano who plays the title role in Opera North’s Pass the Spoon. Divas, of course, are used to leaping from castle walls or being swept away in avalanches but seldom is a singer required to be swallowed whole by a monstrous gourmand. Payne plays June Spoon, the vociferous host of a TV cookery programme, and whether or not she will be “passed” or, alas, be turned into excrement is the 11th-hour dilemma in this frankly bonkers show.

The idea was cooked up (pardon the pun) back in 2008 when Irish composer David Fennessy and director Nicholas Bone hooked up with David Shrigley, the visual artist famous for his distinctive, darkly humorous line drawings and witty captions. Described as “a sort-of opera,” it premiered at Glasgow’s Tramway in 2011.

Barbican, London
An all British programme featured music by Thea Musgrave, Vaughan Williams and William Walton, with Antoine Tamestit an expressive and sensitive soloist in the latter’s Viola concerto

Antonio Pappano’s evangelical embrace of British music continued apace in a concert featuring a welcome rarity by Thea Musgrave, William Walton’s strangely neglected Viola Concerto, and the latest in his ongoing Vaughan Williams cycle, the evocative A London Symphony.

Musgrave, still composing at 97, wrote Phoenix Rising in 1997 for the late Andrew Davis, to whom Pappano dedicated this concert. A 23-minute rollercoaster, it pits a blackguardly timpanist and his stick-wielding allies against a devil-may-care hornist and his brassy backup band. The horn player enters from off stage, the timpanist stalks off in a huff, and somewhere in the middle, for no immediately discernible reason, a phoenix soars aloft in an iridescent haze of tuned percussion. Pappano and the London Symphony Orchestra gave it a thorough workout with marimba, vibraphone, glockenspiel, xylophone and tubular bells creating a magical aura. The musicians certainly revelled in its prickly harmonies, though the theatrical elements might have been pushed further.