The director talks about what she learnt from her mother, working with a rookie Tim Burton, and 20 years of her cult classic Marie Antoinette

Hello, I’m Cherry, I’m 14 and an aspiring film-maker. I love how your films capture what it feels like to be a young girl growing up. We hear so much about the famous men in your family, but how have the successful women in your family inspired and influenced you? Your films capture the experience of what it is to be a young girl in a way words often can’t. CherryEmma
That’s nice to hear, thank you. I feel like I got a lot from my mom about being true to yourself, following what you’re interested in and seeing the beauty in your surroundings. My mom always noticed odd details in life, so a lot of my films are made up of those kinds of things.

Your films beautifully capture the isolation of hotel rooms – spaces completely detached from a character’s past or future. If you were forced into that stillness and could choose to preserve only one cherished memory while erasing another for ever, what would they be? Malpractice1
It’s hard to pick a memory, but recently we had a party in Versailles for the anniversary of Marie Antoinette and New Order played. When they started playing Ceremony [from the soundtrack] and the lights went on, I just know that in the future when I have to remember a happy memory, that’s going to be it. Even painful memories are part of making you who you are, and you learn from them, so I can’t think of anything I would erase.

The singer-songwriter owes a lot to Georgie Fame and likes the romantic side of Jimi Hendrix – but which ringtone song can put him in a bad mood?

The first song I fell in love with
The Wind Cries Mary by Jimi Hendrix, which came out in 1967 when I was 12. Hendrix was known for outgoing music, but I was a romantic soul, so the emotional side of his music led to that strain in my own writing.

The song I do at karaoke
Karaoke? Certainly not. I do this for a living. Would you have made my great-grandfather dig ditches for fun? I prefer to live vicariously through Bill Murray singing (What’s So Funny ’Bout) Peace, Love and Understanding in Lost in Translation.