The photographer was holidaying with his family when two shadows became a plaything for his young son

Gellért Gombai, his wife and two children spend much of the year at their home in Budapest, Hungary, but most of their summers in Alsóörs. “It’s a small holiday village on Lake Balaton, the largest in central Europe, so it’s often referred to as the Hungarian sea,” Gombai, a freelance photographer, says. “We go to the playground and beach most days, swim, and eat beach food, but even when I’m enjoying my holiday, I’m looking out for interesting moments to capture.”

On this particular day, the family had eaten hotdogs for lunch, before Gombai had taken the kids, Lóci and Janka, to the playground. “Lóci, who was five at the time, was jumping between two shadows – one from a changing room, and the other from a building’s roof,” he says. “I asked him to stay still for a few minutes while I got the shot, and he lay like this on the ground. He’s a big-hearted little clown; I’m so glad he’s my son.” When he showed the children, “Janka immediately asked me to take the same shot of her, which often happens. Lóci said it looked like he was among mountains, or as though a monster was about to eat him.”

The photographer was walking home in London when he caught the attention of a pair of canine snoops

Walking home after dropping his little girl at school, Peter Crome sensed he was being watched. A former professional ballet dancer now living in London, he had supplemented his income with photography work for 20 years. “But since having my daughter, my Nikon gear has sat idly by,” he says. “I got so used to lugging my heavy equipment around with me, it’s been quite refreshing to go somewhere just with a phone and still come back with wonderful pictures. My iPhone has also been a blessing for keeping in touch with family back home in Sydney,” Crome adds.

The cause of his disquiet that day was, to his happy surprise, these two dogs. “It was such a comical moment,” he says. “They looked like two curtain-twitchers, though not very subtle ones. I liked how they were perfectly framed with the different layers of window frames, and the brickwork and hedge provided some pleasing textures, but it was the disapproving expression on their faces that made the photo for me.”