With care shortfalls biting across the country, the National-led coalition has been accused of letting chronic underfunding worsen

Back when she was healthy, Jane Harrison worked for the community – securing money for playgrounds, getting kids into sport and making sure her small town in New Zealand’s South Island was ready if an earthquake struck.

Now, she and her husband, Shaun Fitzgerald, 65, are both on disability assistance. Last year, when Fitzgerald – a roofer – was waiting for back surgery for spinal stenosis, Harrison left her job to help look after him at home. The operation in August 2025 was not as effective as hoped. He has since been back into the emergency department in intense pain, waiting for hours with severe cramping, she says. “We called the paramedics recently and they said: ‘There’s no beds in hospital, if we take you you’ll have to sit and you clearly can’t, you’re better off at home.’”

Director Paloma Schneideman explores issues of consent and queerness in coming-of-age film set in New Zealand

In Big Girls Don’t Cry, the New Zealand coming-of-age film quietly devastating film festivals, there is a scene on a moonlit beach. It features the main character, Sid, played by Ani Palmer, and one of the cool older city boys who has come to the small, golden-sand town of Ōmaha for the summer. It is a deeply relatable, deeply uncomfortable watch; reliving the teenage negotiation – or not – of consent feels unsettling and validating.

“Yeah, an 18-year-old at the screening last night said, ‘I feel so seen and exposed,” director and writer Paloma Schneideman, 34, says. “I was like, whoa, that’s quite an astute way to think about it. One is cathartic and healing, and the other is quite confronting.”