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James Cameron's Avatar is no longer the highest-grossing movie in box office history. That honor now goes to the Disney/Marvel Studios film Avengers: Endgame. Variety explains: "Avatar" spent a decade as the biggest release ever until "Avengers: Endgame" overtook the record in 2019 during its initial run on the big screen. "Endgame" dropped to No. 2 on all-time charts in 2021 when "Avatar" returned to theaters in advance of 2021's "Avatar: The Way of Water." Five years later, and Earth's Mightiest Heroes have triumphed over the Na'vi again. Disney is popping Champagne no matter which big-screen behemoth claims the No. 1 spot. "Avatar" was released by 20th Century Fox, which Disney now owns after the companies merged in 2019... [Last week's] re-release of "Endgame" has generated more than $126 million worldwide. Together the 38 Marvel Studios movies "have generated more than $35 billion worldwide," notes an announcement on Disney's web site, "making the Marvel Cinematic Universe the most successful film franchise in history." Their announcement adds that Disney "is responsible for seven of the 10 highest-grossing films of all time." That list also includes James Cameron's Titantic and his first two Avatar movies, but also this summer's Spider-Man: Brand New Dayand the earlier film Spider-Man: No Way Home, plus Marvel's 2018 film Avengers: Infinity War. Also among the top-10-of-all-time are Star Wars: The Force Awakens (2015) at #7 and last year's Zootopia 2. Meanwhile Coyote vs. Acme was released for rent or purchase on streaming platforms Tuesday, and became the No. 1 most-watched movie in the Apple TV store for America and Canada, according to CBR. (Citing a report from FlixPatrol ) "On Rotten Tomatoes, Coyote vs. Acme has a near-perfect 96% Certified Fresh Tomatometer score based on critics' reviews, and a similar 94% Verified Hot Popcornmeter score based on audience reviews... Frank Scheck from The Hollywood Reporter called it "one of the best live-action/animation films ever." Preorders have just opened for its DVD and 4K disks, and Coyote vs. Acme is also coming to Blu-ray writes IGN, "along with some hilarious outtakes that he described as 'not PG-rated.'" Celebrating the film's $100 million box office take last week, the movie's distributors posted a very Coyote-like koan on social media. "It's only over when you stop trying."

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We can sit here and freeze-frame a show and nitpick it and point out various things, but it's very interesting to see how crosswords as props are part of this whole world that they're trying to build. And as long as it reads well on the screen, perhaps it doesn't matter if it's coming from some stock-image site. It will only matter to the real hardcore people who are looking closely at these things. [ungated, but archive.ph]

100 Zeros, a collaboration between Google and Range Media Partners, aims to give the tech giant a foothold in movies, TV and emerging forms of entertainment.

© Michelle Groskopf for The New York Times

Fans operate entirely outside the structural limitations that thwart even skilled industry technicians. A professional lab might make all the right archival choices only to have those compromised by a revisionist director or a studio's marketing needs. Fans, in contrast, answer to no one but themselves, which has let them accomplish what studios with exponentially more resources and infrastructure haven't: banding together to preserve and disseminate historically accurate versions of some of the most beloved films in history—an end-run around the rights and financial issues that hold legitimate enterprises back.

“The Social Reckoning” and other movies reflect growing discontent with Silicon Valley founders. But such films may be at the mercy of the companies themselves.

© Saiman Chow