As violent spirits are unleashed in Sky’s Possession, observers see confident creatives reclaiming the island’s narratives in a form of ‘cultural reparation’

A woman opens a 300‑year‑old box, unleashing a violent spirit – it is the spirit of colonialism and oppression roaring back to life. It is a pivotal scene in Sky’s supernatural series Possession and symbolises a wider shift in Jamaica’s film industry, where directors are increasingly using the landscape to tell Jamaican stories – including those that confront enslavement, trauma and historical memory.

The series is about a biracial British lawyer who travels to Jamaica to investigate a multimillion-pound inheritance dispute, only to uncover a dark, vengeful spirit tied to the plantation’s brutal colonial past.

In this month’s newsletter: for Caribbean scholars, the evidence of how deeply slavery shaped Britain’s wealth has never been in doubt. Plus, heritage walks in Manchester

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Welcome to this month’s Cotton Capital newsletter. I’m Ahmed Reid, coming to you from Jamaica, where I am programme manager for the Guardian’s Legacies of Enslavement team.

The recently published Register of British Slave-Traders, reported exclusively in the Guardian, lists 13,000 men and women who invested in and profited from the trafficking of more than three million enslaved Africans between 1563 and 1807.