Anthony Tommasini (LitHub, 9/10/26), "Beauty in Ambiguity: On Marian Anderson's Lifelong Love For Schubert": "When selecting songs ... she always looked first to Schubert, 'the composer I love best,' who wrote 'hundreds of them,' each 'more beautiful than the last.'" E.g.: Ständchen (No. 4 in D. 957); Der Tod und das Mädchen (D. 531); Ave Maria (D. 839); and Erlkönig (D. 328) i.e. Goethe's poem based on a ballad also adapted in Benedikte Naubert's 1792 "The Erl-King's Daughter." Classical Voice North America on Tommasini: Anderson "feared she would be remembered for breaking barriers rather than for her artistry." At LitHub, Tommasini discusses "Wohin?" and "Ungeduld" from D. 795, but also "Sometimes I Feel Like a Motherless Child." He mentions Roland Hayes singing Schubert as an influence. At Largehearted Boy, he makes more suggestions.