Sean Peers admits offence against woman who was drugged and attacked for more than two decades

A man has pleaded guilty to sexually assaulting an unconscious woman, whose husband had drugged her and invited other men to abuse her.

Sean Peers, 38, had been due to stand trial alongside 11 other men, but admitted one count of assault by penetration on 15 September 2024 when he appeared at Manchester Minshull Street crown court.

Rereleased for its 24th anniversary, Michael Winterbottom’s freewheeling film about a journalist who championed post-punk bands couldn’t have starred anyone but Steve Coogan

Michael Winterbottom’s intriguing, daring, freewheeling movie is being rereleased for its 24th anniversary. It is about Manchester legend, Factory Records impresario, club owner and Granada TV journalist Tony Wilson, played by Steve Coogan, who was a driving entrepreneurial force behind the city’s music scene and guide to bands such as Joy Division, New Order and Happy Mondays.

Looking back to my original review I see that I was in some ways unconvinced, perhaps by the almost flippant, throwaway tone that is somehow evenly established from first to last, with Coogan’s Partridgean lead performance – very good though it undoubtedly is – delivering all the lines as if doing a wry piece to camera. He was arguably the only possible casting for a minor TV personality who was also a major player in the real world beyond the camera, a postmodern combination that Wilson, a sophisticated and intelligent man, himself surely savoured. Winterbottom’s A Cock and Bull Story, adapted from Laurence Sterne, is sometimes described as his postmodern work, although this film, with its fourth-wall breaking, real-world cameos and docu-realist sense of itself, is probably even more metatextual.