The much-loved central London institution, which has been threatened with closure since January 2025, secures 25-year lease without break clause with current landlords

The celebrated Prince Charles repertory cinema in London’s Leicester Square has announced that the threat of closure has been staved off by signing a new 25-year lease with its landlords.

In a post on social media titled “You Saved the PCC”, the cinema said that “after 21 months of uncertainty, we’re delighted to have secured the future of the cinema” and that they had “signed a new 25-year lease with no break clause, ensuring our projectors will keep rolling for years to come”.

The revelation comes after the four-hour film’s Venice premiere drew a string of criticisms and insults from the founder of SpaceXAI

Alex Gibney, director of the new four-hour documentary about Elon Musk, said that Universal, owners of the film’s international distribution rights “wavered” over releasing the film outside North America.

Gibney was speaking to the New York Times as the film opened in the US (where it is being released by the independent distributor Bleecker Street), and appeared to confirm a story in the Hollywood Reporter that Universal, which had acquired the international rights to the film in 2023, had got cold feet. Asked by the New York Times, “Did Universal Pictures waver in setting up its international release plans?” Gibney replied: “Yes.”

Estimates suggest the eco satire starring Tom Cruise could join the list of top turkeys, including Cutthroat Island and The Marvels

Digger, the ambitious eco-fable starring Tom Cruise and directed by Alejandro G Iñárritu, is heading for an even worse financial outcome than previously thought, with reports suggesting it will lose around $245m (£185m), placing it among the biggest disasters in movie history.

According to a report in Variety, Digger’s estimated second weekend revenue in North America of $3.2m is a 60% drop on its opening weekend figure of $8m, meaning its current domestic gross is $14.4m, for a global total of $35.3m, with a projected final box office total of around $50m worldwide.

Landmark roles were in 50s classics directed by Elia Kazan and Alfred Hitchcock, before going on to play Superman’s adoptive mother in later life

• Eva Marie Saint – a life in pictures

• Her best films – ranked

Eva Marie Saint, one of the last survivors of Hollywood’s golden age of the 1940s and 50s, has died aged 102. Her screen work spanned six decades: Saint made her screen debut opposite Marlon Brando in On the Waterfront, starred in Alfred Hitchcock’s celebrated thriller North by Northwest, and in one of her last screen appearances played Superman’s adoptive mother Martha Kent in the 2006 superhero film Superman Returns.

A family spokesman said on Tuesday that Saint had died of natural causes at her home in Los Angeles.