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‘When you fall, you pick yourself up’: Naomi Campbell on her V&A exhibition

14 June 2024 at 11:45

London show illustrates 40-year career of first Black British model to front British Vogue, spanning fashion, culture and politics

Naomi Campbell has been reacquainting herself recently with London.

This week, she’s been running about town on the underground, reliving the journeys she used to take from Streatham to various schools across London, filming TikToks with content creators and putting in the hours promoting an exhibition at the V&A that chronicles her 40 years in fashion.

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© Photograph: Theo Wargo/Getty Images

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© Photograph: Theo Wargo/Getty Images

The best albums of 2024 so far

Billie Eilish’s third is a triumph, Shabaka goes woodwind and Yunchan Lim makes the most thrilling piano debut of the decade … here are our music team’s picks of the best LPs from the first half of the year

Being called “overproduced” is generally a criticism but BMTH make it a virtue on this ridiculously high-intensity album. The glitched-up production reflects a fiendishly intricate digital world, while frontman Oli Sykes’ emotions are more histrionic – and affecting – than ever. At a time when so many bands are content with tinkering at the edges of what’s been done before, it’s bracing to hear BMTH be so relentlessly ambitious and fused to the present moment. Read the full review. Ben Beaumont-Thomas

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© Composite: Guardian Design/Atiba Jefferson/Petros Studios

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© Composite: Guardian Design/Atiba Jefferson/Petros Studios

The sad, stupid rise of the sigma male: how toxic masculinity took over social media

12 June 2024 at 05:00

His heroes are Patrick Bateman, John Wick, Tommy Shelby and Walter White. He follows Andrew Tate and idolises wolves. And he has quickly become a laughing stock. Welcome to the world of the sigma male

You are a lone wolf. You are an independent thinker who makes his own rules. You are confident and competent. Women are drawn to you, but you don’t really care about them. Your day begins at 4.30am with a cold shower, followed by a punishing workout and an even more punishing skincare routine. You shun conventional career paths and run your own business, probably in crypto or real estate or vigilante crime fighting. You are that rarest of males – you are a sigma.

Either that or you’re a bemused bystander who has had a hard time avoiding content about sigma males and the “sigma grindset”. In the past few years, sigma masculinity has blown up. It’s all over social media – and it’s helped define what could be a masculine archetype for our times, supposedly exemplified by characters played by the likes of Keanu Reeves, Cillian Murphy, Bryan Cranston and Christian Bale, plus the manosphere influencer Andrew Tate as well as actual, real life wolves.

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© Photograph: Landmark Media/Alamy

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© Photograph: Landmark Media/Alamy

Reconsidering Elaine May (and Ishtar)

By: kliuless
10 June 2024 at 11:25
Could Elaine May Finally Be Getting Her Due? [ungated] - "A new biography gives a compelling sense of a comic and cinematic genius, and also of the forces that derailed her Hollywood career."

Among the many merits of "Miss May Does Not Exist," a deeply researched, psychologically astute new biography of May by Carrie Courogen, is that the author sees continuities and patterns in a career that is unified, above all, by the force of May's character. Courogen also assesses May's fortunes in the light of social history, giving a detailed account of the many obstacles that May, as a woman, faced in the American entertainment industry of the late fifties and early sixties—a time of few female standup comedians or playwrights and no female movie directors working in Hollywood... She offers a vision of a society in which the crudely learned behavior of crudely socialized men brutalizes the women in their orbit even as it leaves the men vulnerable to calamities and catastrophes of their own making. The core of May's work is the horror of romantic relationships as experienced by women—the physical violence and mental cruelty endured by women at the hands of men... May is essentially a social filmmaker, one whose comedy involves more than her distinctive worlds: in their looseness, her movies defy the geometry of the frame and suggest ragged, shredded edges that reach out and tie in to the real world at large. Her next film would do so even more explicitly—and she'd pay the price for her audacity. After the eleven years in movie exile that May endured for "Mikey and Nicky," she made "Ishtar," a film that's far more famous for its negative publicity than its intrinsic qualities. Owing to reports of its out-of-control budget and May's domineering direction, her career was instantly, definitively crushed, and May has, for all intents and purposes, been serving a life sentence. The injustice of a great film being submerged under ignorant disdain is grievous enough; the wickedly punitive aftermath is an outrage... Alongside the film's scathing anti-Reagan politics, it's a tale of earnest grimness on a subject of fundamental importance to May: creative obsession... As discerningly intricate as her movies are about love and friendship, they're never limited to the private sphere but plugged into the wider world of power. She filmed with a bitterly realistic view of what people do to one another for the sake of perceived advantage, necessity, desire, or compulsion. The theme that unites these films is betrayal. Growing up poor and female, as the child of a man who was a desperate failure and a woman who was a desperate survivor, and in a household linked with the Mob, she felt the cold pressure of institutions and families alike, and witnessed the death grip of whoever had the upper hand. She saw the cruel side of show business from childhood, and entering show business, in her early twenties, negotiated its maelstrom of personal demands and implacable financial pressures. Even with no alter ego in her movies, they're filled with the dramatic essence of her experiences—and with their ravaging emotional effects. She revealed the unspeakably painful and the outrageously hostile, unseemly sympathies and scandals from behind antic masks and with the irresistible power of involuntary laughter. It's among the most vital bodies of work in modern cinema. But in 1987 her accomplishments mattered little. She instantly became a pariah and a has-been.
(previously: 1,2,3,4)

Zoom CEO envisions AI deepfakes attending meetings in your place

4 June 2024 at 15:23
Woman discussing work on video call with team members at office

Enlarge (credit: Getty Images)

Zoom CEO Eric Yuan has a vision for the future of work: sending your AI-powered digital twin to attend meetings on your behalf. In an interview with The Verge's Nilay Patel published Monday, Yuan shared his plans for Zoom to become an "AI-first company," using AI to automate tasks and reduce the need for human involvement in day-to-day work.

"Let’s say the team is waiting for the CEO to make a decision or maybe some meaningful conversation, my digital twin really can represent me and also can be part of the decision making process," Yuan said in the interview. "We’re not there yet, but that’s a reason why there’s limitations in today’s LLMs."

LLMs are large language models—text-predicting AI models that power AI assistants like ChatGPT and Microsoft Copilot. They can output very convincing human-like text based on probabilities, but they are far from being able to replicate human reasoning. Still, Yuan suggests that instead of relying on a generic LLM to impersonate you, in the future, people will train custom LLMs to simulate each person.

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‘Olympics Has Fallen’ – Russian Government Attempts to Discredit 2024 Paris Olympics

By: Alan J
4 June 2024 at 08:57

2024 Paris Olympics Russian Government

Researchers from Microsoft have observed a year-long coordinated campaign by Russian threat actors to influence the public's view of the upcoming 2024 Paris Olympics. The chief effort of these influence operations has involved an AI-generated Tom Cruise movie titled "Olympics Has Fallen," parodying the title of the Hollywood movie "Olympus Has Fallen." In the Russian AI movie, a voice and image impersonation of Tom Cruise appears to discredit the leadership behind the International Olympics Committee. Along with the movie, the influence operations have also disparaged the French nation, French President Emmanuel Macron, and the hosting of the upcoming games in Paris.

Use of AI in Influence Campaigns

These operations were linked to Russian-affiliated threat actors Storm-1679 and Storm-1099. In an effort to sow disinformation and denigrate the International Olympic Committee (IOC), these groups distributed fake videos and spoofed news reports employing the use of AI-generated content, even stoking fears of violence in Paris. Storm-1679 was behind the distribution of the feature-length fake documentary "Olympics Has Fallen" last summer. This movie was produced through the use of an AI voice impersonating the famous American actor Tom Cruise and demonstrated slick, Hollywood-style production values. The movie also featured an official website, while purporting to be from Netflix. The researchers observed the use of evolved tactics throughout the campaign, blending traditional forgeries with cutting-edge AI capabilities. Distribution of the the film included additional AI-generated fake celebrity endorsements that were edited into legitimate videos from Cameo, a service where fans can pay celebrities to read personalized messages or for custom content. These deceptive ads made it appear that the celebrities promoted the anti-Olympic rhetoric in the film.

Stoking Fears of Violence at 2024 Paris Olympics

Along with the spread of anti-Olympics rhetoric from AI-generated deepfakes, the campaign also attempts to sow further discord and stoke public fear of violent occurrences or terrorist incidents during the games. The attempt at fearmongering may be an attempt to reduce the attendance and viewership of the upcoming games. These operations include:
  • Spoofed videos under the cover of legitimate news outlets like Euro News and France24 that claim a high percentage of the event's tickets were returned over security concerns.
  • Fabricated warnings from the CIA and French intelligence services about potential terror threats that are targeting the event.
  • Fake graffiti images suggesting a repeat of the 1972 Munich Olympics massacre that targeted Israeli athletes. Researchers observed a video featuring imagery from the incident, amplified further through the activities of pro-Russian bot accounts.
The researchers warn that these influence efforts could intensify further as the July 26 Opening Ceremony draws near. They predict that the campaign may shift to more automated tactics like bot networks to amplify messaging across different social media. The report stated that these threat actors were known to previously target the Ukrainian refugee community in the U.S. and Europe through similarly spoofed news content attempting to sow fears and spread disinformation.

Previous Russian Influence Attempts on the Olympic Games

While psychological tactics dominate the campaign, the researchers highlight that the new campaign signals the addition of advanced technology in the long history of Russian disinformation operations. The researchers cited examples such as Russia's predecessor, the Soviet Union, attempting to stoke fears before the 1984 Summer Olympics in Los Angeles by spreading pamphlets in Zimbabwe, Sri Lanka and South Korea that non-white competitors would be targeted for violence. In 2016, Russian threat actors hacked into the World Anti-Doping Agency and leaked sensitive medical information about American athletes Serena Williams, Venus Williams, and Simone Biles. In 2018, the "Olympic Destroyer" malware attack against the 2018 Winter Olympics in South Korea disrupted some events and took them offline. In 2020, the U.S. Department of Justice charged two Russian GRU officers with responsibility for the 2018 South Korean Olympics hack. These incidents, along with the recent sophisticated influence campaigns, demonstrate the Russian government's efforts to undercut and defame such international competitions in the eyes of potential attenders and global spectators, largely due to their own long history of tensions with organizations responsible for overseeing these events. Media Disclaimer: This report is based on internal and external research obtained through various means. The information provided is for reference purposes only, and users bear full responsibility for their reliance on it. The Cyber Express assumes no liability for the accuracy or consequences of using this information.

Voices of (Lost) Generations

By: kliuless
29 May 2024 at 08:55
nothing, except everything. - "filmed throughout my last year of high school — to nothing and everything we feel."[1,2]

via Screentime [ungated]: "Have you heard of Wesley Wang? The 19-year-old filmmaker is adapting his viral video into a movie for Darren Aronofsky and Sony. YouTube stars Colin & Samir broke down this story (with a little help from me)." also btw...
  • Master of Make-Believe [archive] - "Zach Horwitz thrived in Los Angeles—where, as one acquaintance said, 'the more you fake it, the more people actually buy it.'"
  • In Horwitz's fantasies, you hear echoes of the long tradition of American artifice: of Napoleon Hill, who wrote in "Think and Grow Rich" that "whatever the mind of men can conceive and believe, it can achieve," and of the clergyman Norman Vincent Peale, who declared, "As you act and persevere in acting, so you tend to become"—a principle impressed on a young real-estate scion named Donald Trump when his family attended Peale's sermons. At times, this tendency still seems strong enough to overwhelm the systems that we've developed to punish it. Even after Elizabeth Holmes was convicted, she voiced a belief that lies are just a stop on the way to truth. Asked what she thought would've happened if she had not courted so much attention, she told an interviewer, "We would've seen through our vision."
  • Movie Monologues That Changed My Entire Worldview - "The famous monologue at the end of Charlie Chaplin's The Great Dictator for example, which was released well over 80 years ago in 1940, may as well have been written yesterday."[3]
  • I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone - if possible - Jew, Gentile - black man - white. We all want to help one another. Human beings are like that. We want to live by each other's happiness - not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical. Our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost... The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men - cries out for universal brotherhood - for the unity of us all. Even now my voice is reaching millions throughout the world - millions of despairing men, women, and little children - victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say - do not despair. The misery that is now upon us is but the passing of greed - the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish...
  • The Great Flattening - "In short, the analog world was defined by scarcity, which meant distribution of scarce goods was the locus of power; the digital world is defined by abundance, which means discovery of what you actually want to see is the locus of power. The result is that consumers have access to anything, which is to say that nothing is special; everything has been flattened."
  • All of Hollywood, convinced that content was what mattered, jointly killed the linear TV model to ensure that all professionally-produced content was available on-demand, even as YouTube became the biggest streamer of all with user-generated content that is delivered through the exact same distribution channel (apps on a smart device) as the biggest blockbusters.
  • What "Follow Your Dreams" Misses | Harvey Mudd Commencement Speech 2024 - "For those in the audience who don't know who I am, I focus on making videos about mathematics with an emphasis on visualizations. It's a weird job. I do love it though, and it's no exaggeration to describe it as a dream job. And a common cliché is for someone who is lucky enough to land in a dream job, to stand confidently in front of a group of fledgling graduates, and to compel them to follow their dreams. Frankly, on its own, I don't think this is very good advice."[4]
  • I don't know if you felt it yet, but today marks a day in your life when a fundamental goal changes. When you're a student, the fundamental goal is to grow, to learn, to become better. So many institutions and structures around you are there to support you in growing and learning and getting better and to reward you for doing so. In life after college, the goal changes a little, and success hinges on how effectively you're able to add value to others.
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