Rian Johnson has another Benoit Blanc hit on his hands with Wake Up Dead Man, in which Blanc tackles the strange death of a fire-and-brimstone parish priest, Monseigneur Jefferson Wicks (Josh Brolin). It’s a classic locked-room mystery in a spookily Gothic small-town setting, and Johnson turned to cinematographer Steve Yedlin (Looper, The Last Jedi) to help realize his artistic vision.
(Minor spoilers below but no major reveals.)
Yedlin worked on the previous two Knives Out installments. He’s known Johnson since the two were in their teens, and that longstanding friendship ensures that they are on the same page, aesthetically, from the start when they work on projects.
Warner Bros. has been hinting all week that it was coming and finally dropped the long-awaited first extended teaser trailer for Supergirl, directed by Craig Gillespie and starring Milly Alcock in the title role.
Plans for a Supergirl movie date all the way back to 2018, but the merger that produced Warner Bros. Discovery scuttled the original concept. James Gunn and Peter Safran came in as co-CEOs of the new DC Studios and announced plans for a “soft reboot” of the DC universe, starting with this summer’s Superman. Sasha Calle played Supergirl for a brief appearance in 2023’s The Flash, but despite having signed a multi-year contract, Gunn and Safran decided to go in a different direction for their standalone film and cast Alcock (House of the Dragon) instead.
Gunn particularly wanted to distance this new version of Supergirl from earlier incarnations, especially how the character was portrayed by Melissa Benoist in the Arrowverse series that ran from 2015–2021. He wanted someone less earnest, more of a contrast to David Corenswet’s wholesome Superman. “This is a story-based medium; we want stories to be in theaters that are cool and different from each other,” Gunn said at a media briefing. “And this movie is not exactly just a female clone of Superman. It’s its own thing entirely. And with a character who’s equally worthy of this treatment.”
Since the 1990s, physicists have pondered the tantalizing possibility of an exotic fourth type of neutrino, dubbed the “sterile” neutrino, that doesn’t interact with regular matter at all, apart from its fellow neutrinos, perhaps. But definitive experimental evidence for sterile neutrinos has remained elusive. Now it looks like the latest results from Fermilab’s MiniBooNE experiment have ruled out the sterile neutrino entirely, according to a paper published in the journal Nature.
How did the possibility of sterile neutrinos even become a thing? It all dates back to the so-called “solar neutrino problem.” Physicists detected the first solar neutrinos from the Sun in 1966. The only problem was that there were far fewer solar neutrinos being detected than predicted by theory, a conundrum that became known as the solar neutrino problem. In 1962, physicists discovered a second type (“flavor”) of neutrino, the muon neutrino. This was followed by the discovery of a third flavor, the tau neutrino, in 2000.
Physicists already suspected that neutrinos might be able to switch from one flavor to another. In 2002, scientists at the Sudbury Neutrino Observatory (or SNO) announced that they had solved the solar neutrino problem. The missing solar (electron) neutrinos were just in disguise, having changed into a different flavor on the long journey between the Sun and the Earth. If neutrinos oscillate, then they must have a teensy bit of mass after all. That posed another knotty neutrino-related problem. There are three neutrino flavors, but none of them has a well-defined mass. Rather, different kinds of “mass states” mix together in various ways to produce electron, muon, and tau neutrinos. That’s quantum weirdness for you.
Back in 2023, we reported on MIT scientists’ conclusion that the ancient Romans employed “hot mixing” with quicklime, among other strategies, to make their famous concrete, giving the material self-healing functionality. The only snag was that this didn’t match the recipe as described in historical texts. Now the same team is back with a fresh analysis of samples collected from a recently discovered site that confirms the Romans did indeed use hot mixing, according to a new paper published in the journal Nature Communications.
As we’ve reported previously, like today’s Portland cement (a basic ingredient of modern concrete), ancient Roman concrete was basically a mix of a semi-liquid mortar and aggregate. Portland cement is typically made by heating limestone and clay (as well as sandstone, ash, chalk, and iron) in a kiln. The resulting clinker is then ground into a fine powder with just a touch of added gypsum to achieve a smooth, flat surface. But the aggregate used to make Roman concrete was made up of fist-sized pieces of stone or bricks.
In his treatise De architectura (circa 30 CE), the Roman architect and engineer Vitruvius wrote about how to build concrete walls for funerary structures that could endure for a long time without falling into ruin. He recommended the walls be at least two feet thick, made of either “squared red stone or of brick or lava laid in courses.” The brick or volcanic rock aggregate should be bound with mortar composed of hydrated lime and porous fragments of glass and crystals from volcanic eruptions (known as volcanic tephra).
Prime Video dropped an extended teaser for the fifth and final season of The Boys—based on the comic book series of the same name by Garth Ennis and Darick Robertson—during CCXP in Sao Paulo, Brazil. And it looks like we’re getting nothing less than a full-on Supe-ocalypse as an all-powerful Homelander seeks revenge on The Boys.
(Spoilers for prior seasons of The Boys and S2 of Gen V below.)
Things were not looking good for our antiheroes after the S4 finale. They managed to thwart the assassination of newly elected US President Robert Singer, but new Vought CEO/evil supe Sister Sage (Susan Heyward) essentially overthrew the election and installed Senator Steve Calhoun (David Andrews) as president. Calhoun declared martial law, and naturally, Homelander (Antony “Give Him an Emmy Already” Starr) swore loyalty as his chief enforcer. Butcher (Karl Urban) and Annie (Erin Moriarty) escaped, but the rest of The Boys were rounded up and placed in re-education—er, “Freedom”—camps.
The Black Death ravaged medieval Western Europe, ultimately wiping out roughly one-third of the population. Scientists have identified the bacterium responsible and its likely origins, but certain specifics of how and why it spread to Europe are less clear. According to a new paper published in the journal Communications Earth & Environment, either one large volcanic eruption or a cluster of eruptions might have been the triggering factor, setting off a chain of events that brought the plague to the Mediterranean region in the 1340s.
Technically, we’re talking about the second plague pandemic. The first, known as the Justinian Plague, broke out about 541 CE and quickly spread across Asia, North Africa, the Middle East, and Europe. (The Eastern Roman Emperor Justinian I, for whom the pandemic is named, actually survived the disease.) There continued to be outbreaks of the plague over the next 300 years, although the disease gradually became less virulent and died out. Or so it seemed.
In the Middle Ages, the Black Death burst onto the scene, with the first historically documented outbreak occurring in 1346 in the Lower Volga and Black Sea regions. That was just the beginning of the second pandemic. During the 1630s, fresh outbreaks of plague killed half the populations of affected cities. Another bout of the plague significantly culled the population of France during an outbreak between 1647 and 1649, followed by an epidemic in London in the summer of 1665. The latter was so virulent that, by October, one in 10 Londoners had succumbed to the disease—over 60,000 people. Similar numbers perished in an outbreak in Holland in the 1660s. The pandemic had run its course by the early 19th century, but a third plague pandemic hit China and India in the 1890s. There are still occasional outbreaks today.
With House of the Dragon entering its third season, HBO is ready to debut a new spinoff series set in Game of Thrones’ Westeros: A Knight of the Seven Kingdoms, based on George R.R. Martin’s Tales of Dunk and Egg novellas. HBO clearly has a lot of confidence in this series; it’s already been renewed for a second season. And judging by the final trailer, that optimism is warranted.
As we’ve previously reported, A Knight of the Seven Kingdoms adapts the first novella in the series, The Hedge Knight, and is set 50 years after the events of House of the Dragon. Per the official premise:
A century before the events of Game of Thrones, two unlikely heroes wandered Westeros: a young, naïve but courageous knight, Ser Duncan the Tall, and his diminutive squire, Egg. Set in an age when the Targaryen line still holds the Iron Throne and the last dragon has not yet passed from living memory, great destinies, powerful foes, and dangerous exploits all await these improbable and incomparable friends.
Peter Claffey co-stars as Ser Duncan the Tall, aka a hedge knight named “Dunk,” along with Dexter Sol Ansell as Prince Aegon Targaryen, aka “Egg,” a child prince and Dunk’s squire. The main cast also includes Finn Bennett as Egg’s older brother, Prince Aerion “Brightflame” Targaryen; Bertie Carvel as Egg’s uncle, Prince Baelor “Breakspear” Targaryen, heir to the Iron Throne; Tanzyn Crawford as a Dornish puppeteer named Tanselle; Daniel Ings as Ser Lyonel “Laughing Storm” Baratheon, heir to House Baratheon; and Sam Spruell as Prince Maekar Targaryen, Egg’s father.
Sony Pictures has dropped a new trailer for 28 Years Later: The Bone Temple, slated for release early next year and directed by Nia DaCosta, teasing a possible cure for the zombie outbreak that has devastated human populations for three decades. It’s the sequel to this year’s critically acclaimed 28 Years Later, the third film in a franchise credited with sparking the 21st-century revival of the zombie genre.
(Some spoilers for the first three films below.)
As previously reported, in 28 Days Later, a highly contagious “Rage Virus” was accidentally released from a lab in Cambridge, England. Those infected turned into violent, mindless monsters who brutally attacked the uninfected—so-called “fast zombies”—and the virus spread rapidly, effectively collapsing society. The sequel, 28 Weeks Later, featured a new cast of characters living on the outskirts of London. But all it takes is one careless person getting infected for the virus to spread uncontrollably again. So naturally, that’s what happened.
One of big surprise hits of 2019 was the delightful horror comedy Ready or Not, in which Samara Weaving’s blushing bride must play a deadly game of Hide and Seek on her wedding night. Searchlight Pictures just released the trailer for its sequel: Ready or Not 2: Here I Come.
(Spoilers for Ready or Not below.)
In Ready or Not, Grace (Weaving) falls in love with Alex Le Domas (Mark O’Brien), a member of a wealthy gaming dynasty. After a picture-perfect wedding on the family estate, Alex informs Grace that there’s just one more formality to be observed: At midnight, she has to draw a card from a mysterious box and play whatever game is named there.
Easter Island is famous for its giant monumental statues, called moai, built some 800 years ago. The volcanic rock used for the moai came from a quarry site called Rano Raraku. Archaeologists have created a high-resolution interactive 3D model of the quarry site to learn more about the processes used to create the moai. (You can explore the full interactive model here.) According to a paper published in the journal PLoS ONE, the model shows that there were numerous independent groups, probably family clans, that created the moai, rather than a centralized management system.
“You can see things that you couldn’t actually see on the ground. You can see tops and sides and all kinds of areas that just would never be able to walk to,” said co-author Carl Lipo of Binghamton University. “We can say, ‘Here, go look at it.’ If you want to see the different kinds of carving, fly around and see stuff there. We’re documenting something that really has needed to be documented, but in a way that’s really comprehensive and shareable.”
Lipo is one of the foremost experts on the Easter Island moai. In October, we reported on Lipo’s experimental confirmation—based on 3D modeling of the physics and new field tests to re-create that motion—that Easter Island’s people transported the statues in a vertical position, with workers using ropes to essentially “walk” the moai onto their platforms. To explain the presence of so many moai, the assumption has been that the island was once home to tens of thousands of people.
It’s a regrettable reality that there is never enough time to cover all the interesting scientific stories we come across each month. In the past, we’ve featured year-end roundups of cool science stories we (almost) missed. This year, we’re experimenting with a monthly collection. November’s list includes forensic details of the medieval assassination of a Hungarian duke, why woodpeckers grunt when they peck, and more evidence that X’s much-maligned community notes might actually help combat the spread of misinformation after all.
An assassinated medieval Hungarian duke
Credit:
Tamás Hajdu et al., 2026
Back in 1915, archaeologists discovered the skeletal remains of a young man in a Dominican monastery on Margaret Island in Budapest, Hungary. The remains were believed to be those of Duke Bela of Masco, grandson of the medieval Hungarian King Bela IV. Per historical records, the young duke was brutally assassinated in 1272 by a rival faction and his mutilated remains were recovered by the duke’s sister and niece and buried in the monastery.
Peruse a list of films released in 1985 and you’ll notice a surprisingly high number of movies that have become classics in the ensuing 40 years. Sure, there were blockbusters like Back to the Future, The Goonies, Pale Rider, The Breakfast Club and Mad Max: Beyond Thunderdome, but there were also critical arthouse favorites like Kiss of the Spider Woman and Akira Kurosawa’s masterpiece, Ran. Since we’re going into a long Thanksgiving weekend, I’ve made a list, in alphabetical order, of some of the quirkier gems from 1985 that have stood the test of time. (Some of the films first premiered at film festivals or in smaller international markets in 1984, but they were released in the US in 1985.)
The emergence of synthetic pigments in the 19th century had an immense impact on the art world, particularly the availability of emerald-green pigments, prized for their intense brilliance by such masters as Paul Cézanne, Edvard Munch, Vincent van Gogh, and Claude Monet. The downside was that these pigments often degraded over time, resulting in cracks and uneven surfaces and the formation of dark copper oxides—even the release of arsenic compounds.
Naturally, it’s a major concern for conservationists of such masterpieces. So it should be welcome news that European researchers have used synchrotron radiation and various other analytical tools to determine whether light and/or humidity are the culprits behind that degradation and how, specifically, it occurs, according to a paper published in the journal Science Advances.
Science has become a valuable tool for art conservationists, especially various X-ray imaging methods. For instance, in 2019, we reported on how many of the oil paintings at the Georgia O’Keeffe Museum in Santa Fe, New Mexico, had been developing tiny, pin-sized blisters, almost like acne, for decades. Chemists concluded that the blisters are actually metal carboxylate soaps, the result of a chemical reaction between metal ions in the lead and zinc pigments and fatty acids in the binding medium used in the paint. The soaps start to clump together to form the blisters and migrate through the paint film.
Millions of people around the world are living with the harsh reality of Alzheimer’s disease, which also significantly impacts family members. Nobody is immune, as A-list actor Chris Hemsworth discovered when his own father was recently diagnosed. The revelation inspired Hemsworth to embark on a trip down memory lane with his father, which took them to Australia’s Northern Territory. The experience was captured on film for A Road Trip to Remember, a new documentary film from National Geographic.
Director Tom Barbor-Might had worked with Hemsworth on the latter’s documentary series Limitless, also for National Geographic. Each episode of Limitless follows Hemsworth on a unique challenge to push himself to the limits, augmented with interviews with scientific experts on such practices as fasting, extreme temperatures, brain-boosting, and regulating one’s stress response. Barbor-Might directed the season 1 finale, “Acceptance,” which was very different in tone, dealing with the inevitability of death and the need to confront one’s own mortality.
“It was really interesting to see Chris in that more intimate personal space, and he was great at it,” Barbor-Might told Ars. “He was charming, emotional, and vulnerable, and it was really moving. It felt like there was more work to be done there.” When Craig Hemsworth received his Alzheimer’s diagnosis, it seemed like the perfect opportunity to explore that personal element further.
Astronomical events such as eclipses were central to Maya culture, reflected in the care the Maya took to keep accurate calendars to aid in celestial predictions. Among the few surviving Maya texts is the so-called Dresden Codex, which includes a table of eclipses. Researchers have concluded that this table was repurposed from earlier lunar month tables, rather than being created solely for eclipse prediction, according to a paper published in the journal Science Advances. They also figured out the mechanism by which the Maya ensured that table would be accurate over a very long time period.
The Maya used three primary calendars: a count of days, known as the Long Count; a 260-day astrological calendar called the Tzolk’in; and a 365-day year called the Haab’. Previous scholars have speculated on how awe-inspiring solar or lunar eclipses must have seemed to the Maya, but our understanding of their astronomical knowledge is limited. Most Maya books were burned by Spanish conquistadors and Catholic priests. Only four hieroglyphic codices survive: the Dresden Codex, the Madrid Codex, the Paris Codex, and the Grolier Codex.
The Dresden Codex dates back to the 11th or 12th century and likely originated near Chichen Itza. It can be folded accordion-style and is 12 feet long in its unfolded state. The text was deciphered in the early 20th century and describes local history as well as astronomical lunar and Venus tables.
Not everyone appreciates the artistry of Jackson Pollock’s famous drip paintings, with some dismissing them as something any child could create. While Pollock’s work is undeniably more sophisticated than that, it turns out that when one looks at splatter paintings made by adults and young children through a fractal lens and compares them to those of Pollock himself, the children’s work does bear a closer resemblance to Pollock’s than those of the adults. This might be due to the artist’s physiology, namely a certain clumsiness with regard to balance, according to a new paper published in the journal Frontiers in Physics.
Co-author Richard Taylor, a physicist at the University of Oregon, first found evidence of fractal patterns in Pollock’s seemingly random drip patterns in 2001. As previously reported, his original hypothesis drew considerable controversy, both from art historians and a few fellow physicists. In a 2006 paper published in Nature, Case University physicists Katherine Jones-Smith and Harsh Mathur claimed Taylor’s work was “seriously flawed” and “lacked the range of scales needed to be considered fractal.” (To prove the point, Jones-Smith created her own version of a fractal painting using Taylor’s criteria in about five minutes with Photoshop.)
Taylor was particularly criticized for his attempt to use fractal analysis as the basis for an authentication tool to distinguish genuine Pollocks from reproductions or forgeries. He concedes that much of that criticism was valid at the time. But as vindication, he points to a machine learning-based study in 2015 relying on fractal dimension and other factors that achieved a 93 percent accuracy rate distinguishing between genuine Pollocks and non-Pollocks. Taylor built on that work for a 2024 paper reporting 99 percent accuracy.
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