The storytelling is brittle, but there is still enjoyment to be had from this story of a mother and child and rescue from a catastrophic flood in Seoul

Kim Byung-woo’s chimeric but not unenjoyable sixth feature begins like a normal apocalypse movie, with a deluge inundating Seoul. Then it flirts with taking on social stratification baggage as a beleaguered mother tries to climb up her 30-storey apartment block to escape the rising flood waters. But once it is revealed that An-na (Kim Da-mi) is a second-ranking science officer for an indispensable research project, the film becomes a different beast entirely – possibly something quite insidious.

As the film gats under way, An-na’s swimming-obsessed six-year-old son Ja-in (Kwon Eun-seong) sees his dreams come true when water begins flooding their apartment. Along with everyone else, they begin pounding the stairs – before corporate security officer Hee-jo (Park Hae-soo) catches up with them and explains that an asteroid impact in Antarctica is causing catastrophic rains that will end civilisation. But a helicopter is en route to evacuate her and Ja-in, because she is one of the pioneering minds who have been at work in a secret UN lab that holds the key to humanity’s future.

A festive musical blends fairytale optimism with lush orchestration and Sound of Music sweetness – even if this often overwhelms a thin storyline

Reported to be the first Thai musical in 50 years, The Christmas Dream is directed by Englishman Paul Spurrier, and is an intriguing blend of new and old: a modern Oliver Twist that progresses from the country’s northern hills to Bangkok, with old-school Technicolor trappings and emotionally lush showstoppers aplenty (written by Spurrier and set to an orchestral score by Mickey Wongsathapornpat).

With a Michelle Yeoh-like resoluteness but half her size, Amata Masmalai plays 10-year-old schoolgirl Lek, who is forced to flee after her abusive stepfather Nin (Only God Forgives’ Vithaya Pansringarm) fatally beats her mother (Chomphupak Poonpol). Hitting the road with her one-legged doll Bella for company, Lek has only a strong moral compass to guide her to the new home she is promised by her mum’s ghost. A number of picaresque companions put it to the test, including a spoiled rich girl (Kathaya Chongprasith) desperate for a friend and a quack doctor (Adam Kaokept) hawking dodgy cure-alls.