The leftwing news site the Canary has announced that it is closing indefinitely. Earlier this year the media outlet was blocked from accessing funds and has faced allegations of internal turmoil.
The outlet, founded in 2015 at the height of support for the then Labour leader, Jeremy Corbyn, said in a social media post it would be closing “for the foreseeable future”.
I’d become obsessed with appealing to my invisible audience. But since I ditched the app a year ago, my quieter moments have taken on brilliant new meaning
I first downloaded Instagram when I was 17 and became hooked on it the way most people fall in love: slowly, and then all at once. For a long time, I never considered myself a social media addict. I self-righteously refused to download TikTok, declared Snapchat to be for “children”, and posted less regularly on Instagram than half of the people I followed.
As I went through my university years, however, certain changes crept up on me. I began to swap reading – or essay-writing – for hours spent curating new posts. On my way home from lectures (or later, from my work as a journalist), I would spend ages trying to take the artsiest, most perfect picture of that evening’s sunset for my story – as if the people who followed me were eagerly awaiting yet another photo of one of the Earth’s rotations. What usually followed was a night of reloading my feed to see how many people had reacted to my post – or worse, hadn’t reacted at all.
Backlash against content creators includes restricted hours for filming and even outright bans
Stand in any vaguely photogenic spot these days on holiday and the chances are you will come across people posing with raised phones and even ring lights. Some may be influencers with huge audiences on social media, others just overkeen Instagram users. With hotels and beauty spots now so overrun, however, bans on photography are coming into place.
The five-star Hotel du Cap-Eden-Roc in Antibes, known for its glamorous clientele, views of the Côte d’Azur and a stunning infinity pool, has brought in rules against photoshoots: no longer allowed without prior permission.
Family post emotional statements to Instagram a month after their son and brother died at a rehab facility
Cindy Crawford and Rande Gerber have said they are “beyond heartbroken” in a tribute to their “sweet beautiful” son, Presley.
Their eldest child died aged 27 at a rehab facility on 20 September, according to Los Angeles county medical examiner records. The cause of his death has not been disclosed.
Magazine group points to restructuring bill but says it ‘remains profitable in the UK for another year’
Profits at Condé Nast’s UK arm slumped by more than a third last year, according to figures published shortly after the billionaire family that owns the luxury magazine group and titles from Vogue to GQ ruled out a sale.
The publisher, which enjoyed a bumper 2024 after booking £64m in proceeds from the sale of its UK headquarters Vogue House in London, saw pre-tax profits excluding exceptional items tumble 36% from £28m that year to nearly £18m last year.
BoingBoing reports:
Mark Stephens, better known under the pen name Robert X. Cringely, died last week at 73. Stephens chronicled the tech industry of the late 1980s and early 1990s — the age of Bill Gates' rise, Steve Jobs' repose, the dawn of the world wide web — and produced the famed documetary Triumph of the Nerds, based on his own bestselling Accidental Empires: How the Boys of Silicon Valley Make Their Millions, Battle Foreign Competition, and Still Can't Get a Date.
Though not the first InfoWorld columnist to write under the Cringely name, he was responsible for its persona and fought successfully to keep it after he left the magazine in 1995.
"I loved the man," writes Darth Technoid (Slashdot reader #83,199):
I first met him in the 1990s, while he was still working at InfoWorld, and we became friends immediately. He helped me get a job or two, and he was always filled with crazy (meaning really good) ideas.
I'll miss him and his creativity greatly.
Cringely answered questions from Slashdot's readers in 2000. And Cringely led an interesting life, as you can tell from Slashdot's January, 2020 story Robert Cringely Attempts an Air-Launching Space Startup:
"How does a 67-year-old hack with three minor children recover from going blind, losing his home and business in a horrible fire (like 2,000 others, we are still fighting with insurance companies), while appeasing an angry crowd of Kickstarter supporters armed with pitchforks and shovels?"
That crowd still wants long-time tech pundit Robert X. Cringely to deliver on his Kickstarter-funded project to create custom Minecraft servers. So in a new blog post this week, Cringely writes that "I went looking for venture money to recapitalize MineServer and I simultaneously started a satellite launch company to fund my eventual retirement. I am not making this up..."
He's now found a Beverly Hills patron who wants to be a co-investor in the Minecraft servers, but "I will have to earn the matching money on my own, which is what I have been trying to do with my other startup, Eldorado Space."
Slashdot has often linked to Cringely's commentary over the years, as far back as 1998 and as recently as this summer. ("Tech Pundit Cringely Co-Founds Startup '2Brains Inc' to Solve LLM Hallucinations.")
July, 1999: Cringely's take on "Pirates of Silicon Valley" April, 2009: Three Mile Island Memories June, 2011: IBM Did Not Invent the Personal ComputerMarch, 2019: Cringely's Final Predictions: Apple Becomes a Financial Service and Hedge Fund June, 2019: Cringely Predicts The End Of Broadcast TV Within A Decade April, 2020: Not Just 'The Death of IT'. Cringely Also Predicts Layoffs For Many IT Contractors January, 2021: Robert Cringley Predicted 'The Death of IT' in 2020. Was He Right? June, 2023: Cringely Predicts Moore's Law Will Continue — Because of AI
But my favorite Cringely memory is Steve Jobs: The Lost Interview, the full 70-minute interview from 1995 that a 40-year-old Jobs gave to Cringely during filming for Triumph of the Nerds. ("And they actually sent someone to wake up the Pope....") There's various pirated copies on YouTube and an online transcript, but only 10 minutes made the broadcast — at the time Jobs was still at NeXT after his departure from Apple. But when Cringely rediscovered the videotape, the entirety of the interview was released to theaters in 2012 six months after Steve Jobs' death.
Share your own memories of Robert Cringely in the comments...
As Mark Cocker approaches a landmark for the world’s oldest column in an English-language newspaper, he is still inspired by powerful encounters with nature
In the autumn of 1987, Mark Cocker sat in a field near Norwich and watched a jay burying acorns for the long winter ahead. He described the scene in his first country diary for the Guardian. Thirty-nine years on, some of those jay-planted acorns will be mature oaks now, and Cocker is completing his 1,000th diary for the world’s oldest column in an English-language newspaper.
In his next diary, he will reflect on the changing birdlife around Flint Clough, in the Peak District, where he first marvelled at rare birds aged 12 after devouring bird books in his bedroom. As a boy, he would find cuckoo, golden plover, ring ouzel and twite, a once-common bird which is now virtually extinct in England.
How a string of bizarre events led writer Linda Geddes to don her sleuthing cap and dig into a world of shadowy impersonators
It started with an entirely ordinary interaction on LinkedIn. Someone had tagged me in a post, saying how much they’d enjoyed contributing to a New York Post article I’d written about “chronoworking”. As the author of a book about circadian rhythms, it was exactly the sort of subject I might write about. Except I’d never heard of this person, let alone interviewed them.
I clicked on the link and my stomach dropped. There, above an article about people who organise their working lives around their biological clocks, was my name: Linda Geddes.
If cinemas must run 20 minutes of adverts before a feature, they could at least be honest about it. Or, I have a better solution …
Do you remember the last time you were lied to? I certainly do. I was tricked by the North Finchley Vue, which sold me and my boyfriend tickets to a 7.15pm showing of The Odyssey. Guess what was playing at 7.15pm? A car advert. Ten minutes later, it was a trailer for the horror film Werwulf. Then there was an advert for Vue – as if I wasn’t already there. The film was half an hour late to its own showing when it finally started at 7.45pm.
I am sick and tired of cinemas getting away with such treachery. I don’t want to follow in the footsteps of my friend, who knows that the ads at her local run for 22 minutes so slinks in at just the right time. I shouldn’t have to do mental maths because I am being lied to by cinemas. We are all the victims of their predatory time-wasting system.
Jeffrey Ingold is a freelance journalist covering LGBTQ+ issues, music and culture
The former British Vogue editor-in-chief and author on a romantic kiss on a traffic island, her school-run regrets, and a very expensive nude
Born in London, Alexandra Shulman, 68, studied social anthropology at the University of Sussex. She was a secretary at Over 21 magazine and, in the early 80s, became a journalist at Tatler. In 1990, she was made editor of British GQ and, from 1992 to 2017, she was editor‑in‑chief of British Vogue. For her contribution to fashion journalism, she was awarded both an OBE and a CBE. Her books include novels and the bestselling memoir, Clothes … and Other Things That Matter. A collection of essays, Black Coffee and Red Lipstick: Notes on Living, is out now. She is married for the second time, has a son and lives in London.
When were you happiest?
Anytime that I’m lying in the sun next to a swimming pool with a good book.
The former Palace chair seeming very angry indeed about others’ opinions is just par for the course as football’s age of rage ramps up another level
Yet again the mainstream wokealorium is preachifying from its pulpitrex. It’s egregious. It’s sanctiforial. It’s a wangitude of complete retardifaction.
This has not been an easy column to write. It has been difficult, gruelling in parts, but also warm, exhilarating and at times deeply erotic. Yes. I was SAVAGED by Simon Jordan. And I’ve never felt so alive.
For more than three decades, Michael Gove has been a leading figure in British Conservatism. As a journalist, government minister and now editor of the Tory bible, the Spectator, he has helped shape the right even as it has moved further rightwards. In the latest episode of Radical Thinking, Gove joins Aditya Chakrabortty to discuss the future of the right, his record on Brexit and austerity, and the Spectator’s position on Islam.
Aditya’s suggested reading:
To read the fruits of Michael Gove’s dalliance with the Marxism Today gang, look up his essay in a 1998 collection called The Moderniser’s Dilemma: Radical Politics in the Age of Blair.
For a slalom ride through Michael Gove’s years in power, read The Demented Dalek by the historian Richard J Evans in the London Review of Books.
To learn more about what’s become of the British right, there’s a column by me for the Guardian.
Phil also writes a very good blog on British politics, which keeps a close eye on how each party is trying to marshal a coalition of voters. Here he is on Kemi Badenoch.
For more on the economics of the Cameron years, this paper examines how the Tories failed to move the UK away from being a country of renters towards a country of makers. Two of its authors will join us for a podcast later in the series.
And if you want to read how Brexit may have cost the UK 8% of GDP, read this paper based on data from the Bank of England.
Alan Feeney, who sat on Solihull and Birmingham councils, said there was ‘no excuse’ for his comments
Alan Feeney has resigned as a Reform councillor for Solihull and Birmingham after backlash over racist comments that were captured in an undercover investigation.
In a Facebook post on Friday, Feeney wrote: “There is no excuse for my comments. With responsibility comes accountability, and it is for that reason that I have resigned every post I hold on both Solihull borough council and Birmingham city council.”
Meta’s annual conference last month in Menlo Park, Calif. The company received $22 million back from its American Technology Excellence Project and $3 million from a California advocacy group it funded.
Lawyers tell high court that client could harm himself if serious allegations against him are made public
A “well-known individual” is trying to secure a permanent injunction against the Guardian and ITN to prevent them from publishing details of serious allegations made against him.
At a high court hearing on Friday, the claimant’s legal team said there was a serious risk that he could harm himself should the allegations be made public.
Settlers hurl rocks at Palestinians and beat photographer Heidi Levine as part of yearly attacks to disrupt harvest
Israeli settlers have attacked Palestinians across the occupied West Bank in a coordinated movement to disrupt the annual olive harvest, burning cars and trees and injuring Palestinians and a Washington Post photographer.
Masked settlers wielding clubs and other weapons attacked people attempting to harvest their olives in West Bank towns on Friday. Palestinian authorities said they recorded attacks in eight villages, and injuries among at least 20 people.
Pete Crockett says the history of British education is not simply one of children dutifully accepting adult instruction, while Simon Dawson saysKitty Sayersmisses the mark when describing English attitudes. Plus a letter from Kevin Donnelly
At Marlborough college, troops were once summoned to dislodge rebellious pupils occupying an island in the school grounds. In the late 1700s, Winchester college experienced several rebellions.
Tech platforms pillage public-interest journalism for profit. But we have leverage as they sow the seeds of their own downfall
Carine Fouteau is president and publishing director of the French investigative news outlet Mediapart
Big tech companies pose an immeasurable threat: socially, politically, militarily and ecologically. They are also causing a profound crisis of information. The tools they design now serve as weapons of mass destruction against democracy. There is so much at stake that an urgent and broad mobilisation is required.
From the harvesting of personal data and the weaponisation of public opinion, to the destruction of jobs, the infringement of civil liberties and environmental damage, ordinary citizens are the main victims of this predatory economy – an economy with an agenda that aligns with the interests of the planet’s most authoritarian and reactionary states.
Carine Fouteau is president and publishing director of the French investigative news outlet Mediapart
Mediapart is hosting Hacking Big Tech, a public event about technology, AI and democracy in partnership with the Guardian, in Paris on Saturday 17 October 2026. The conference will be live-streamed free on Mediapart’s website, app and YouTube channel and can be accessed herefrom 1pm CEST on 17 October
My Instagram page started as something to amuse my friends, but it took off – and led to me meeting Sophie, who is now my wife
The idea came to me in summer 2019, when I finished studying at Swansea University. One day I went walking with friends around the beautiful Penllergare Valley woods. As they played Poohsticks, I sat on a bench and took in the view.
I noticed that someone had left flowers on the bench. I wondered who had put them there, who they were for, and why they’d chosen this location. By the time we reached the next bench along the route, I was deep in thought about all the people who had sat there before me.
Katie Zacharia faces mounting questions over her legal credentials after admitting she did not pass the bar exam
Donald Trump’s new White House press secretary says it is “unknown” how much she will engage with the press, amid mounting questions over her legal credentials after admitting she did not pass the bar exam.
In a brief interview with the Guardian, Katie Zacharia detailed the whirlwind sprint to replace her predecessor Karoline Leavitt as the US president’s chief spokesperson.
Former QB says he is looking ‘for next landing spot’
Aikman and Buck said to have argued over contracts
Longtime Monday Night Football announcer Troy Aikman said he is looking for his “next landing spot” with his ESPN contract set to expire after February’s Super Bowl.
“I’ll broadcast through this season, and I’ll be a free agent at the end of the year and kind of see what happens,” Aikman said in a radio interview with KTCK of Dallas on Thursday morning.
The broadcaster has bullet-proof confidence as he departs the BBC. But his first YouTube show with Gareth Southgate is nowhere near as radical as you’d expect – and he sounds like yet another tech guru
Whatever you think of Amol Rajan, he can’t be accused of not dreaming big. In the clip trailing the launch of his YouTube project The Amol Rajan Connection, he acknowledges the seismic volatility of our times but locates himself firmly at the heart of them. “We are about to get 100 years of change in a single decade,” he says. “And that’s scary. But maybe I can help.” Big talk for someone who somehow managed the singular feat of being outlasted by Richard E Grant in The Celebrity Traitors. But joking aside, Rajan’s bulletproof self-confidence remains titanium-tough.
The branding of The Amol Rajan Connection features a mock-up of the poster from The Harder They Come, a Jamaican film about a renegade insurgent whose reckless defiance of the establishment’s rules culminates in him dying in a hail of bullets. But however he might see himself, it’s impossible to regard Rajan as an outsider. From his editorship of a national newspaper, via University Challenge and Today, he has shown an uncanny facility for arriving, briskly, at the very heart of one national institution after another. The sponsors of this show are two world-bestriding tech corporations, one of Britain’s largest banks and an upmarket supermarket chain. He soft-launched with an appearance on former Tory chancellor George Osborne’s podcast. Rajan’s connections are clearly being worked very efficiently.
Disney+ was criticised after opening round this season
Alex Scott, the former Football Focus host, has left her role as a presenter of the Women’s Champions League coverage on Disney+.
It is understood it was Scott’s decision to walk away and focus on other projects, including her new show, One More Word WSL, with her fellow former England internationals Anita Asante and Fara Williams.
Ken Fero and Tariq Mehmood’s documentary recalls the fight against racism in 1980s Britain – even if its account of solidarity has a notable omission
This fierce film from socialist film-makers Ken Fero and Tariq Mehmood gives us the story and the context of the Bradford 12. Twelve south Asian members of the United Black Youth League in 1981 were arrested on a charge of conspiracy to cause explosions for possessing dozens of molotov cocktails – milk bottles filled with petrol, with a rag through the lid – allegedly for throwing at the police. To the intense irritation of the British authorities, a mixed-race jury acquitted them, accepting their argument that it was in self-defence (and that the items themselves were closer to fireworks than bombs), because black and Asian communities were routinely and systematically attacked by skinheads and racists whose activities were shrugged at by the powers that be.
It is a reminder of a particularly ugly, squalid, bigoted and mediocre era in British public life, when Margaret Thatcher, just before becoming prime minister, tried to siphon off some of the far-right National Front’s political energy by declaring that people felt “swamped” by immigrants, the most earsplittingly loud dog whistle in Tory history. It was also the era when anti-racist protester Blair Peach was killed by the Met’s yet-to-be-disbanded special patrol group, when the still-unsolved New Cross fire in London took the lives of 13 young black people, when the south Asian woman Anwar Ditta was subject to a spitefully obstructive move from the Home Office to prevent her bringing her children into the UK – supposedly because they weren’t really hers, though a DNA test finally proved her right. Perhaps most of all, it was an era when the witness-box testimony of uniformed police officers was increasingly seen as almost valueless in these cases; the film also reminds us how culpably lackadaisical and incompetent the Yorkshire police were in catching the serial killer Peter Sutcliffe.
The president is used to bullying his media targets. The quagmire that is his libel actions shows the broadcaster is working to a different script
For the greatest account of the BBC’s finest hour, one must turn to Penelope Fitzgerald’s novel, Human Voices, written in 1980 and set 40 years earlier, at the corporation’s Portland Place wartime HQ. Flanked by sandbags and infused with a smell of cooking “from the deep hold that suggested more strongly than ever a cruise on the Queen Mary”, the organisation that Fitzgerald describes is at once noble and deeply eccentric. “Broadcasting House stood headed on a fixed course south,” she writes. “With the best engineers in the world, and a crew varying between the intensely respectable and barely sane, it looked ready to scorn any disaster.”
In other words, a formidable foe, one that in the spring of 1940, in the face of anticipated Nazi invasion, decided “without prompting, that truth was more important than consolation, and, in the long run, would be more effective”. I bring this up in respect to the gathering storm of Donald Trump versus the BBC, a fight triggered by the US president’s $10bn defamation lawsuit – $10bn! It’s a wonder he didn’t go for $10 gazillion – brought against the corporation at the end of last year in response to a poorly edited episode of Panorama. The BBC was at fault, editing together comments made by the US president at a rally on 6 January 2021 to give, as the corporation’s apology put it, “the mistaken impression that President Trump had made a direct call for violent action”. But it is fighting the lawsuit.
2026 is an especially weird year for watching the NBA.
With the demise of regional FanDuel Sports Networks, and the league’s long-planned national streaming service at least a year away, many teams were suddenly in need of temporary plans for this season. The result is a patchwork of standalone streaming services, free over-the-air broadcasts, and traditional TV options that vary based on where you live.
You might think the NBA would try to help, perhaps with a single page that helps fans sort through all the viewing options, but no. Its website offers “how to watch” pages for only a small handful of teams, and most of those pages carry incomplete information.
So once again, I will do what the league doesn’t, and put all your NBA viewing options in one place.
Watching your local NBA team
If you live in the same market as your favorite NBA team, and want to watch games that are not nationally televised, you have a few possible options:
Subscribe to a standalone streaming service for local in-market games.
Get local games through a pay TV package that carries them.
Watch local games for free with an antenna, if your team is broadcasting them over the air.
Here’s a chart showing how those options shake out by market:
Compared to previous seasons, the most notable new entrant in 2026-2027 is DAZN, which has swept in to replace FanDuel Sports Network for 10 NBA teams. If you already subscribe to DAZN for combat sports or international basketball, note that the NBA subscriptions are separate.
Some NBA teams are also turning to free, over-the-air TV for in-market games, either instead of or in addition to standalone streaming options. Consider using an antenna to watch these games instead of getting yet another streaming subscription.
One more note: Several teams still haven’t announced distribution through cable, satellite, or live TV streaming providers. We’ll likely see a few more announcements around the start of the season on October 20, and I’ll update this post accordingly.
Out-of-market NBA games
The situation is much simpler if your team plays in a different market. As in previous years, NBA League Pass lets you watch all out-of-market games for $17 per month or $110 for the season. (The ad-free “Premium” tier, which also supports up to three concurrent streams, costs $25 per month or $160 per season.)
Note that if your out-of-market team is playing against the local team in your area—whether at home or on the road—those games will be blacked out. League Pass also excludes nationally televised games, which I’ll cover below.
Nationally televised games
If you subscribe to a service for local or out-of-market NBA games, it still won’t carry games that air on national television. Those include 100 games across NBC and Peacock/NBCSN, 80 games on ESPN and ABC, and 66 games on Amazon Prime Video.
Figuring out the best way to get both local and nationally televised games is where things get tricky:
Standalone services with nationally televised NBA coverage:
ESPN Unlimited is $30 per month and also includes ABC’s sports coverage.
Amazon Prime is $139 per year or $15 per month. You can also get just Prime Video for $9 per month.
Pay TV packages with nationally televised NBA coverage:
YouTube TV carries ABC, ESPN, NBC, and NBCSN, both in its $83 per month base plan and $65 per month Sports plan.
Fubo carries ABC, ESPN, NBC, and NBCSN, both in its base plan ($89 per month, plus regional sports fees) and Sports plan ($65 per month).
Hulu + Live TV offers ABC, ESPN, NBC, and NBCSN in its $100 per month base plan.
DirecTV carries ABC, ESPN, NBC in its Signature packages (starting at $95 per month) and MySports plan ($65 per month), but does not include NBCSN, so you miss Peacock’s Monday night games.
Sling Essentials includes ESPN for $20 per month. It also carries local channels (including NBC) in certain markets at a higher price.
Ultimately, you’ll have to decide whether to piece together a few different streaming services or try to get most of your coverage through one pay TV bundle. The best option for you will depend on where you live, your willingness to hop between different apps, and how many games you’ll realistically end up watching. Hopefully, all this information will make those decisions a bit easier.
Animation studio narrows annual loss to £1.1m amid ‘challenging market’ in children’s content
Don’t break out the celebratory Wensleydale just yet. Aardman, the British animation studio behind the cheese-loving inventor Wallace and his beloved dog Gromit, has fallen short of a target to get back in the black, its accounts show.
The employee-owned business was aiming to record a small profit in 2025 after two years of consecutive losses but was hit by production delays and a “challenging market” in children’s content.
Ben Norris says cost-cutting measure that means show will be recorded outside its home city risks ‘extraordinary burden’ for crew
A cast member of The Archers has said its actors have been angered by the BBC’s decision to axe the show’s new studio, in a move that could lead to it being recorded away from its home in Birmingham.
Ben Norris, who plays Ben Archer in the world’s longest-running soap opera, said the decision risked having a real impact on the quality of the show and placing an “extraordinary burden” on its crew.
Phillips sought to buck up his fellow London bureau colleagues during a contentious staff meeting on Tuesday
The veteran British broadcaster Sir Trevor Phillips had some strong words of advice for his CBS News colleagues when facing off against critics who question the editorial integrity of the network: “Why don’t you just fuck off and let us do our jobs?”
Phillips made his blunt suggestion during a contentious meeting of the network’s London bureau on Tuesday, during which the foreign editor, Shayndi Raice, went on a lengthy tirade criticizing unnamed staffers for suggesting that editorial oversight amounted to “interference” and informing colleagues that disobeying editors would be insubordination and “legal grounds for firing”.
Video posted online shows men entering home through unlocked door and claiming to be looking for paperwork
A Home Office accommodation provider has launched an investigation after “English nationalist” content creators posing as contractors filmed themselves entering a property housing asylum seekers.
The video, titled “HMO Hunting in Leicestershire”, was posted to the Truthhurts101UK YouTube account, which describes itself as being run by an “English nationalist citizen journalist” and claims to cover “immigration, demographic change, policing and stories others overlook”. The footage was also posted to the associated TH101UK’s X account, where is has been viewed more than 300,000 times.
Jean-Noël Barrot criticises X owner in speech attacking foreign efforts to destabilise France before 2027 election
France’s foreign minister has accused Elon Musk of using his social media platform to orchestrate “massive online harassment campaigns” against European leaders as he took aim at foreign efforts to destabilise the country before next year’s presidential election.
Speaking at an Organisation for Economic Cooperation and Development conference on Tuesday, Jean-Noël Barrot pointed to the role that social media had come to play in the global battle over democracy. “The forces seeking to undermine democracy now dominate the information landscape, where they employ tactics designed to polarise public debate,” he said.
The pair’s first feature-length adventure stars Jemaine Clement and Olivia Tennet, has a dreamy soundtrack and beautiful stop-motion visuals – fantastic family fun
Kiri is a lively yellow dinosaur, Lou is an amiable purple palorchecie (a fictional beast, vaguely resembling a palorchestes, which in turn vaguely resembles a giant tapir) – and if you’ve been watching their CBeebies show, which hails from New Zealand and consists of 5-minute episodes, you’ll know they’re the best of friends despite their ingrained temperamental differences. But how did they become friends in the first place? For the uninitiated, Kiri and Lou Go Raaa! functions as an introduction to the characters and their world, while for fans it’s a delightful origin story.
At only one hour long, the runtime is toddler-friendly – and to be honest, there are plenty of films marketed at adults that could learn a lesson from writer-director Harry Sinclair’s economical storytelling. (Sinclair is also the writer of the TV series, alongside Buffy the Vampire Slayer writing alum Rebecca Kirshner.) With the voice acting talents of Olivia Tennet (Freda in Lord of the Rings: The Two Towers) and Jemaine Clement (Flight of the Conchords), plus dreamy songs from Don McGlashan (Blam Blam Blam, The Front Lawn), Kiri and Lou Go Raaa! would arguably work superbly as an audiobook or radio show – except the visuals are a treat too.
District court judge Timothy Kelly was ruling after the Trump administration blocked access to the three outlets in September
A federal judge ordered the White House on Tuesday to continue allowing journalists from CNN, MS Now and Politico to access the building as the media coalition’s lawsuit against the Trump administration plays out.
Timothy Kelly, a district court judge, had on 24 September granted a 14-day reprieve for the news organizations, which six days earlier had been banned by the president in an extraordinary move from entering the White House grounds “as a result of their constant ‘reporting’ FAKE NEWS”.
Gavin Guffey was 17 when he was targeted by a ‘sextortionist’ on Instagram. His father Brandon has spent four years fighting for justice, and for social media companies to do more to safeguard young users
What were the last words Brandon Guffey said to his son Gavin? Four years on, he still struggles with this question. “That last exchange, it bothers me constantly,” he says. “I think I said, ‘Goodnight, buddy. I love you,’ and he said, ‘I’ll see you in the morning.’ I sincerely hope that’s what I said. The truth is, I’ll never know for certain.”
The exchange happened in 2022, on a hot July in Rock Hill, South Carolina, where, just weeks before, Guffey had won the Republican ticket to stand for the state’s House of Representatives. The election was three months away, Guffey’s head was buzzing with politics, and he’d spent that evening at a local event.
Rights groups warn of Tehran regime’s increasing use of executions to suppress dissent, with at least 600 this year
Human rights groups have raised the alarm over the growing number of death sentences and executions in Iran, after reports that a 23-year-old woman, Najmeh Amini, has been sentenced to death for blasphemy over a social-media post.
Amini, an accounting student, is being held in Vakilabad prison in the north-east city of Mashhad. She has been sentenced to more than 12 years in prison and death in separate cases heard by a revolutionary and a criminal court.
BBC asks US federal judge to compel Trump’s lawyers to schedule deposition after his team canceled initial session
The BBC is asking a federal judge in Florida to force Donald Trump to sit for a deposition as part of the president’s $10bn defamation lawsuit against the British broadcaster.
According to a Tuesday filing, the BBC and Trump’s legal team had agreed for him to be deposed on Friday. The BBC’s lawyers wrote to the judge that they had spent months trying to secure a location for the deposition from Trump’s team.
I was seduced by creators hawking passive income hustles. Like the language used in MLMs, it seemed too good to be true
A very specific kind of content began taking over my social media feeds at the end of last year.
I had just finished a short-term contract and returned, with some reluctance, to the financial masochism of freelancing. As I mourned the end of steady paychecks and paid days off – as well as finally having enough money for regular haircuts – I couldn’t tear my eyes away from the glow of the screen.
Amid worries about children’s relationship to tech, the solution is often spending more time talking openly with each other
We have become obsessed with the idea that screens are destroying human connection.
The evidence seems to be everywhere. Each week headlines warn of teenagers addicted to phones, a lonelinessepidemic and the dangersof AI. The release of The Social Reckoning leads us to ask, “How bad were those guys at Meta?” and then ultimately wonder, “How bad am I if I still use Instagram?” In our day-to-day, we observe workers eating lunch alone while scrolling and friends choosing online games over offline gatherings.
Aaron Sorkin’s attempt to return to the success of The Social Network is a strangely dated and incomplete look at a world that needs a sharper eye
In retrospect, David Fincher’s 2010 film The Social Network was a landmark for a quiet, even counterintuitive reason. Before the film was released, some questioned whether Aaron Sorkin, a writer not exactly known for his mastery of, nevermind obsession with, the technical sphere, was the right man to tell the origin story of Facebook. And while Sorkin may well have converted Mark Zuckerberg into terms he could better understand – namely, a motormouthed wiseass who deep down wants to impress a smart, serious-minded girl – he and Fincher also made one of the first internet-centric movies to treat online life as a natural extension of IRL dynamics, rather than the otherworldly tech portal seen in so many 90s internet movies.
Granted, that’s the whole deal with Facebook: its viral spread of social networking, something so simple and addictive that aunts, grandpas and coworkers everywhere could understand it. Yet understanding its simultaneous extension and distortion of the real world wasn’t a given; four years later, for example, 2014’s Men, Women and Children was widely derided for taking an alarmist approach to the internet as a haven for adults seeking an affair, teenagers nursing porn addictions and fame-hungry strivers of all ages. The Social Network, on the other hand, is remarkably nonjudgmental about the basic mechanics of Facebook, rooting its nascent flaws in the human weaknesses that birthed it. In retrospect, the movie only feels outdated to the extent that it underestimates Zuckerberg’s grasping for power and the potential for grim carelessness that his online kingdom was built on.
Farage was its champion, now it’s Badenoch – and the aim is the PM’s defeat at all costs
While the merits of a so-called Britannia shield to protect Britain from missiles and drones are debatable, the Conservatives’ proposal did achieve one thing last week: the very idea of the shield was used to anoint a political leader.
In a significant development, little observed amid the hullaballoo of news events, Kemi Badenoch’s uncosted, pie-in-the-sky plans to build a £10bn anti-missile system were enthusiastically heralded by the rightwing press. It was not just a matter of the plans themselves being lauded, even by outlets that must know them to be ridiculous. More significant is what it said about the champion chosen by these media organisations in their offensive against the Labour government and Andy Burnham.
Jane Martinson is an academic and Guardian columnist. She is a board member of the Scott Trust, which owns the Guardian Media Group, and writes in a personal capacity
Some of Britain’s wealthiest financiers, including Sir Paul Marshall, have given a platform to critical coverage or are linked to its leading opponent
“This is virtue signalling,” said Nigel Biggar. “These are elites who are trying to demonstrate that they are being progressive.”
The target of his scorn was one that has obsessed him for years: the movement to pay reparations for the slave trade, and specifically the Church of England’s plan to spend £100m atoning for its involvement.
Estimates suggest the eco satire starring Tom Cruise could join the list of top turkeys, including Cutthroat Island and The Marvels
Digger, the ambitious eco-fable starring Tom Cruise and directed by Alejandro G Iñárritu, is heading for an even worse financial outcome than previously thought, with reports suggesting it will lose around $245m (£185m), placing it among the biggest disasters in movie history.
According to a report in Variety, Digger’s estimated second weekend revenue in North America of $3.2m is a 60% drop on its opening weekend figure of $8m, meaning its current domestic gross is $14.4m, for a global total of $35.3m, with a projected final box office total of around $50m worldwide.
When influencer/singer/content creator Chiara King visits Copenhagen all the trips to trendy shops and fancy restaurants soon take a turn for the worse
British influencer/singer/content creator Chiara King stars as influencer/singer/content creator Chiara King, or some kind of parafictional version of herself, in this quease-inducing thriller exercise. The ick gets generated not necessarily by the eventual gore that erupts in the last reel, but by the tacky weirdness of the way the film apes the mannerisms of social media reels and streaming nonsense to both satirise the ugly side of the business but also exploit and profit off it at the same time. On one level, it’s an eerily clever exercise in bad faith, like a poor Michael Haneke film (think Funny Games) for gen-Z kicks; on another, maybe it’s just a crappy ripoff of online tropes that have been way overexposed already. Or both.
Anyway, here’s what happens: influencer Chiara gets invited to visit Copenhagen by a tourist organisation, a deal set up by her avaricious manager Alice (Jazmine Summer). Of course, this means practically every moment of her time awake in the city will be filmed, both by Chiara herself on her trusty smartphone, or a camera crew led by director Mike (played by Mike Nybroe, who is also director of The Influencer Project, ha ha); Mike is supported by sound man Daniel (Daniel Parmo) and cameraman Victor (Luca Storm). The early sections turn in all the influence-slop you would expect, with shopping trips to trendy merch vendors such as Baum und Pferdgarten, and meals at fancy local restaurants, and then a livestreamed visit to a “haunted house,” which is the big thing on Instagram and TikTok these days.
Bethany Antonia wore a T-shirt with the slogan ‘Protect the Dolls’ in rehearsals, but the words were edited out on Saturday’s show
The BBC has defended its decision to edit out a transgender rights slogan from a T-shirt worn by a contestant on Strictly Come Dancing, stating it was standard practice to avoid “overt branding or slogans”.
The actor Bethany Antonia was filmed wearing the T-shirt, which bore the slogan “Protect the Dolls”, during rehearsals before her live performance on Saturday night.
Jay-Z in 8, the rap mogul’s HBO docuseries, covers his life and career in effort to mend his image – with no pushback. Why is he so fixated on the court of public opinion?
During the finale of Jay-Z’s Jay-Z in 8, the recent eight-part HBO documentary series on his life and career, the billionaire rap mogul talked with record producer Rick Rubin about the song Family Feud from his 4:44 album. He clarified one of its lyrics, “Al Sharpton in the mirror takin’ selfies / How is him or Pill Cosby ‘posed to help me?”, in which he chided Sharpton, the civil rights leader, and Cosby, the disgraced actor-comedian, for constantlycriticizingrapmusic. He called Sharpton an “extortionist” who goes “from place to place” demanding: “You want our support … give us the money.” Listening to him chastise Sharpton, I pondered how he doesn’t see himself as a similar figure.
Starting in 2019, Jay-Z partneredwith the NFL in 2019 as entertainment director, deciding the Super Bowl half-time performers and working with the league on other community endeavors. Colin Kaepernick, the former NFL quarterback, has recently alleged that the deal came after NFL owners decided they needed a “Black face” to help them quell outrage from Black people after Kaepernick wasblackballed by the league for kneeling during the national anthems as a form of protest against police brutality. Jay-Z was lambasted for undercutting Kaepernick’s cause for personal gain, marring his reputation with many fans who came to view him as the same counterinsurgent figure he criticized in the documentary.
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