The actor, writer and comedian on turning his life around, fancying Cilla Black and his secret nose-picking

Born in Coventry, Guz Khan, 39, was working as a secondary school teacher when he began uploading comedy videos as the character Mobeen in 2014. The following year, he gave up teaching to pursue standup. In 2017, his show Man Like Mobeen was released by the BBC and ran for five series. He won a Royal Television Society award in 2020 and was Bafta-nominated twice. His films include Army of Thieves and The Bubble. Guz Khan’s Custom Cars starts on Quest on 19 January. He is married with five children and lives in the West Midlands.

What is the trait you most deplore in yourself?
Impulsivity. We end up in strange places, like right now – I am in the Middle East.

It’s pure joy to see the beloved comedy’s crew get back together. It feels like a family reunion – but one where everyone is hugely charming

Peep Show is not really a TV show. It’s closer to an identity now, embedded in the collective British DNA. A decade after the show finished, many of us still call each other “Clean Shirt”, notice logos in foam or quip about crack being “very moreish”. The only show more emblematic of the UK’s national psyche is The Great British Bake Off. Therefore rejoice, for the hottest collab of the holiday is here! I’m calling this the real reason for the season. The true raisin for the praisin’, perhaps.

They’re so much part of our lives, it’s hard to see these bakers as actors. It feels more natural to say that this Christmas the Bake Off tent will host a reunion of Mark, Sophie, Big Suze, Super Hans and Dobby. Together again, like family, your family. It’s glorious to see them – older, some bearded, not one of them less charming. No proceeds from this are going to charity because there aren’t any. This is happening purely for joy.

The smash hit sci-fi nostalgia-fest reaches the end game on Boxing Day – so brace yourself for blockbuster whoppers. Plus: Ethan Hawke is a dirt-digging ‘truthstorian’ in a quirky drama full of heart – and more Emily in Paris!

The concluding episodes of the Duffer brothers’ smash-hit coming-of-age, sci-fi nostalgia-fest (maybe the secret of the show’s success is how many genres it manages to incorporate?) will be dropping all over the festive season – and they are blockbuster whoppers. Devotees will be up bright and early on Boxing Day for episodes five to seven (the finale airs on New Year’s Day). Events are dominated by Will’s new powers, which present a massive threat to Vecna. But why is Vecna so wary of the cave in which Max is hiding? As the finale looms, the past and present are set to fall into place – and the now visibly twentysomething cast will be able to move on with their lives.
Netflix, from Boxing Day

Amber, George, Balvinder and Karen battle it out for a chance at the glitterball trophy. Plus: get in the spirit with some festive bangers. Here’s what to watch this evening

6.35pm, BBC One

Scarlett Johansson’s directorial debut stars the 96-year-old June Squibb, while Netflix’s lovable tweefest sees its heroine move to Rome

Eleanor the Great
Out now
June Squibb stars in Scarlett Johansson’s directorial debut, which premiered at Cannes and tells the tale of the eponymous Eleanor, a senior citizen recently relocated to New York, who strikes up a friendship with a 19-year old – and then stumbles her way into pretending to be a Holocaust survivor.

Lurker
Out now
A hit at Sundance, this is the story of a lowly retail employee who happens to strike up a friendship with a rising pop star, becoming the Boswell to his Johnson, if Boswell was part of a pop star’s entourage. But the path of friendship with a famous person never did run smooth, and the uneven power dynamic soon prompts some desperate manoeuvring in this psychological thriller.

Ella McCay
Out now
Emma Mackey stars in the latest from James L Brooks (his first since 2010), a political comedy about an idealistic thirtysomething working in government and preparing to step into the shoes of her mentor, Governor Bill (Albert Brooks). Jamie Lee Curtis co-stars as Ella’s aunt.

The former X Factor judge is back, auditioning boyband wannabes for his latest talent show – but gen Z doesn’t seem to care very much, or even know who he is

Have we gone back in time to 2010? If only! No, Simon Cowell is just back in the headlines, reasserting his svengali status for his new Netflix show. Reviews suggest that Cowell’s attempted comeback, 15 years since his celebrity peak, highlights less his particular star power than how totally the world has moved on. But is there anything to learn from SyCo now, and will his new boyband work? Let’s see!

1. Cowell is chasing a new direction

A reboot of Peter Shaffer’s play hopes to repeat the 1984 film’s magic and lure a fresh audience to classical music

Forty years ago, Amadeus won eight Oscars, four Baftas and four Golden Globes – and introduced a new generation to 18th-century music. Millions bought the film’s Mozart soundtrack and it remains one of the bestselling classical music albums of all time, shifting more than 6.5m copies globally, and earning 13 gold discs.

It even inspired a novelty hit when Falco mixed Europop with rap in Rock Me Amadeus – the first German-language song to top the US Billboard chart (Nena’s 99 Luftballons only reached No 2 in the US, pop-pickers).

Martin Compston and Meera Syal are among the names in this tale of divorcees hitting back at their exes. It’s a thriller, comedy and psychodrama all at once – but could maybe do with being more simple

Sometimes three-in-one type things are good. Phone chargers with lots of leads for all your devices that have stupidly different ports. Those woolly hats that cover your neck and lower face, so you look daft but are impregnable to winter cold. The Nars blusher stick that is also a lipstick and eyeshadow.

When it comes to dramas, however, it’s best to stick to one field of endeavour. The Revenge Club is a gallimaufry of tones, styles and performances. Watching it is like looking through a kaleidoscope that someone twists for you every few minutes; it’s fun but quite disorienting after a while.

The Scottish star used his exceptional gift for impersonations to create genre-mashing specials that were as epic as the Hollywood films they parodied. He was a perfectionist performer with huge talent

• Actor and comedian Stanley Baxter dies aged 99

The description “special” is overused in television schedules; Stanley Baxter’s programmes justify it. The comedian is one of the few stars whose reputation rests on a handful of astonishing one-offs – standalone comic extravaganzas screened in the 1970s and 1980s, first by ITV’s London Weekend Television and then the BBC.

In both cases, the networks ended their associations with Baxter not because of lack of audience interest – at their peak, the shows reached more than 20 million viewers – but due to the colossal costs demanded by the performer’s vast and perfectionist visual ambition. One of Baxter’s favourite conceits was to re-create, in witty pastiche, scenes from big-budget Hollywood movies that made it look as if his versions had also spent millions of dollars.

The singer’s tears over the Islamic State terrorist plot against her show and Southport attack make this behind-the-scenes docuseries about her world-conquering tour more moving than anyone could have anticipated

Swifties had long guessed that there would be a documentary going behind the scenes of Taylor Swift’s blockbuster Eras tour. The 2023 Eras Tour concert movie didn’t show any of the inner workings of this three-and-a-half-hour behemoth, which ran for 149 dates from 2023-24. Fans put some bits together, such as how Swift arrived on stage being pushed inside a cleaning cart. Plus, given the two albums she wrote during and about the Eras tour – 2024’s The Tortured Poets Department and this year’s The Life of a Showgirl – it wouldn’t be Swiftian to overlook another lucrative IP extension.

What fans could never have imagined was that Disney was set to start filming as the Eras tour was due to hit Vienna on 8 August 2023 – the first of three shows in the Austrian capital that were cancelled owing to an Islamic State terrorist plot. We learn this in episode one of the six-part docuseries The End of an Era, when Swift and her longtime friend Ed Sheeran are backstage at Wembley, hours before he guests at her first concert after the thwarted attack. “I didn’t even get to go,” Swift tells him of Vienna. “I was on the plane headed there. I just need to do this show and re-remember the joy of it because I’m a little bit just like …” She can’t find the words.

Here are all the best movies to watch over the holidays – from favourites like Elf and Paddington to the latest from Mission: Impossible and Knives Out. Plus, two of the sexiest films ever made

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Baxter enjoyed a decades-spanning career on radio, TV and film, and was famous for impersonating famous people including Queen Elizabeth II

• Stanley Baxter obituary

• ‘Astonishing’: how his TV extravaganzas reached 20m

The actor and comedian Stanley Baxter has died at the age of 99.

Born in Glasgow in 1926, Baxter was best known for helming TV sketch series including The Stanley Baxter Show and The Stanley Baxter Picture Show.

Stand Up to Cancer kicks off with unexpected Hollywood stars … and the beloved ‘hundys’ from The Celebrity Traitors. Plus: all-out luxury (and the best cheeses) at a Mayfair hotel. Here’s what to watch this evening

7.30pm, Channel 4
Davina McCall launches a run of programmes with the fight against cancer at their heart – including a Gogglebox special at 9.10pm with Kieran Culkin and Jazz Charton, Josh Hartnett and Tamsin Egerton, and Nick Mohammed and Joe Marler. Before that, there’s a documentary at 8pm from inside a cancer clinic at Addenbrooke’s hospital in Cambridge, following patients and their families on their journeys through testing, diagnosis and treatment. It aims to offer an insight into the clinical and emotional experience of this disease. Phil Harrison

He’ll soon be going back on the hunt for bent coppers – but not before a wild revenge tale of divorcees going rogue. The star talks feeling inferior to Meera Syal, his life in the US and why he’s thrilled to be typecast

While we embark on the inhumanly long wait for the new season of Line of Duty, which starts shooting in January, you’ll see Martin Compston – the show’s hero and true north – a number of times. Twice as you’ve never seen him before, and once, in Red Eye, in the form that you’ve come to know and love him: brisk and taciturn, brave and speedy, the man you’d trust to save the world while the dopes all around him can’t even see it needs saving.

But first, The Revenge Club, in which he is a revelation. The setting is a support group for divorcees, a ragtag gang united by nothing but the fact that they’ve been summarily dismissed by their spouses. “There’s no other reason for these characters to be in each other’s lives,” Compston says from his home in Las Vegas (more on that later – much more). “They’re all desperate and lonely and in dire need of companionship. They’re all, in their own ways, broken, which makes for this explosive mix.”

‘Clear conflict’ between Eurovision ideals of ‘inclusion and dignity for all’ and decision to let Israel compete, says 2024 winner

Nemo, the Swiss singer who won the 2024 Eurovision song contest, has said they are handing back their trophy in protest over Israel’s participation in next year’s event.

The 26-year-old, the first non-binary winner of the contest, said on Thursday there was “a clear conflict” between the Eurovision ideals of “unity, inclusion and dignity for all” and the decision to allow Israel to compete.

Trump and Vance head to South Park in Christmas gear for a big showdown – only for Jesus to show up. At one point, you can almost feel Trey Parker and Matt Stone taking a stand against the US government

Coming off its most controversial and highest rated season in years, South Park had high expectations to meet with its season finale. Given how infamously down-to-the-wire its production schedule is – showrunners Matt Stone and Trey Parker often don’t start writing scripts until the week they’re set to air, working up to the 11th hour to turn in a completed episode (a method that caused them to miss a deadline earlier this year) – there was some question as to whether they would be able to tie everything up at all, let alone in a satisfying manner.

Most viewers were probably anticipating a giant, apocalyptic climax to the various long-running storylines – chief among them Donald Trump’s attempts to kill his and his lover Satan’s soon-to-be-born spawn. Instead, Stone and Parker swerved expectations, delivering an introspective and ultimately melancholy climax, one that managed to balance hope and despair in equal measure, alongside the outrageous shock humour for which they’re famous.

Avery Trufelman is the New York-based radio producer behind Articles of Interest, a fashion podcast that has non-fashion people gripped in their millions

Did you know that the zipper only came about because a Swedish-born engineer named Gideon Sundback fell in love with a factory owner’s daughter? Or that it took longer for it to be developed than it took for the Wright brothers to invent the aeroplane? You probably know that pockets have become a symbol of gender privilege – but were you aware that in the 18th century, women’s pockets were big enough to hold tools for writing, a small diary and a snack for later? Perhaps most surprising is that layering, which has made Uniqlo one of the biggest brands in the world, was in effect invented in the 1940s by a man named Georges Doriot, who was also famous for inventing venture capital.

All these nuggets and more are included in Articles of Interest, a podcast by 34-year-old Avery Trufelman. Listeners tune in for the smarts but also her disarming sense of fun. Not to mention her low, husky voice, which seems made for podcasting. “I don’t take care of it, if that’s what you’re asking,” she says over video call from her apartment in New York.

Even the ridiculous product placement isn’t the most cynical thing about this exercise in trading in Cosy British Christmascore. It’s a nauseatingly schmaltzy and nonsensical

Trevor Bingley is not Mr Bean, but the two have a few things in common. For a start, they are both self-destructively single-minded when it comes to overcoming trivial annoyances. In Netflix’s 2022 series Man vs Bee, Bingley ended up building a fake explosive-laced hive to destroy the insect who refused to vacate the swish home he was house-sitting; for Bean, life consists almost exclusively of finding absurd solutions to minor problems. Both are pitiable figures: Bean because he’s a walking disaster zone; Bingley because he’s lonely and broke, having lost numerous jobs due to general ineptitude. Last but not least, they are both embodied by Rowan Atkinson, who bestows the pair with his distinctive brand of sprightly ungainliness.

There are major differences, however. Bingley is a human who can talk, is aware of social niceties and has a backstory, which mainly features a teenage daughter he dotes on and gratingly refers to as “Sweetpea”. Bean, on the other hand, was essentially beamed in from space: some episodes of the original 1990s series open with him dropping from the sky bathed in an alien light source.

Harry and six other public figures will have their day in court in January. Plus: Celia Imrie investigates Hitchcock’s Psycho. Here’s what to watch this evening

8pm, Channel 4
Expect legal fireworks in January as the case launched by Prince Harry (along with six other public figures including Doreen Lawrence and Elton John) against Associated Newspapers gets under way. This documentary presented by Cathy Newman offers a primer to the case – which involves accusations of phone hacking and bugging. Phil Harrison

The reboot brought a parade of new and aged-up faces, multiple returns of Toadie and a violent siege at Harold’s. But in the end Ramsay Street faces death by freeway

Forty years ago, some plucky kids with broad accents rode their bikes around a quintessentially Australian cul-de-sac, lined with postwar houses that could have been any of ours. A catchy tune promised that, if we were there for one another, we could become good friends with the people next door. But now it’s over.

Neighbours has a habit of ending. After it was axed in 1985 by its first Australian broadcaster, Channel Seven, the network even destroyed the sets to make sure it was truly gone. We have, more than once, grieved the end of a community so tightknit that the school principal is also your estranged dad’s ex-wife’s former fake-son-in-law’s surrogate mother.

It’s humbling to witness the eloquence and dignity of these survivors as they talk about their experiences with John Smyth – possibly the most prolific serial abuser ever associated with the Church of England

John Smyth was a sadistic predator who used to groom the boys in his care then beat them with such viciousness that he would have to provide adult nappies for them to wear afterwards lest they leave blood on the chairs in his home when he brought them back from his shed. He upgraded the shed at one point, to make it soundproof. One of the men who suffered at Smyth’s hands as a boy remembers bleeding for weeks after. Another says: “I honestly thought I was going to die.” Another says that despite the pain the worst part was afterwards, when Smyth would cover the boy’s bloodied body with his and nuzzle his sweaty face into the boy’s neck and give him butterfly kisses. In his nightmares it is “that draping” he relives.

Smyth, who died in 2018, was also a husband, a father of three children, a respected barrister, a prominent Christian evangelist, a moral campaigner, a man deeply involved with Winchester College (where he would give talks about the law and Anglicanism and invite interested boys to his family home for further discussions over Sunday lunches) and with the Church of England. He ran the Iwerne Christian summer camps for boys in Dorset and Zimbabwe throughout the 70s and 80s. All of this gave him uncountable opportunities to indulge his sadism. One boy in his care, Guide Nyachuru, died. An accidental drowning, said Smyth. Nyachuru was a strong swimmer. His family remains convinced that their 16-year-old boy died as a result of abuse by Smyth and was placed in the water afterwards. Smyth succeeded in discrediting the lawyer who was set to prosecute him for culpable homicide and fled back to England.

Iceland joins Spain, Slovenia, the Netherlands and Ireland in neither participating in nor broadcasting event

Iceland has become the fifth country to boycott next year’s Eurovision song contest after Israel was given the go-ahead to compete, deepening the crisis facing the competition.

The board of the national broadcaster, RÚV, voted on Wednesday not to participate, meaning Iceland will join Spain, Slovenia, the Netherlands and Ireland in neither participating in nor broadcasting the event, which is scheduled to take place in Vienna.

The song contest continues with its mission of ‘unity and cultural exchange’ by rolling out the red carpet for Israel, even though at least four countries have pulled out in protest

A new acronym emerged a couple of months into Israel’s bombardment of Gaza: WCNSF. “Wounded child, no surviving family”. That acronym is unique to Gaza, experts like paediatrician Dr Tanya Haj-Hasan with Médecins Sans Frontières have said. Normally it’s rare for doctors to treat a child who has lost their entire family. But there has been nothing “normal” about the genocide in Gaza, where whole bloodlines have been wiped out and there are more child amputees than anywhere else in the world. Nothing normal about scores of doctors coming back from a landscape of rubble with reports of kids being deliberately targeted by Israeli snipers.

Despite a supposed ceasefire being in place, Gaza remains hell on earth. Essential medical supplies are not getting in and Amnesty International has said Israel is still committing genocide. (Israel has denied this, of course, just as it denies everything it is accused of.) But while traumatised orphans are now freezing in makeshift tent camps, there is a little heartwarming news: nothing is going to stop the Eurovision song contest from continuing with its mission of “unity and cultural exchange.” Eurovision will continue to roll out a blood-red carpet for Israel, even though at least four European countries (Netherlands, Spain, Ireland, Slovenia) have now pulled out in protest. Because this is what unity looks like, folks!

Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.

Howlingly funny comedy, jaw-dropping documentaries and astonishing drama … it’s been another fantastic year of TV. Our countdown of the very best kicks off here
• More on the best culture of 2025

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This Netflix show starts off feeling like a documentary, and winds up as another attempt to recreate The X-Factor. It really cannot be overstated how much of a rehash this boyband contest is

Ladies and gentlemen, the most cynical bait and switch of the year has finally arrived. To the casual viewer, Netflix’s new series Simon Cowell: The Next Act may appear to be yet another quasi-unvarnished authorised documentary series.

And that would make sense, because those things are everywhere at the moment. Everyone from David Beckham to Robbie Williams to Charlie Sheen has made one, allowing a film crew into their lives to offer just enough grit to fool people into thinking they are watching anything other than a heavily sanitised publicity project. And, really, who deserves one of these more than Simon Cowell?

A documentary about the cover-up of barrister John Smyth, who subjected more than 100 boys to abuse. Plus: Ellie Taylor’s standup special. Here’s what to watch this evening

9pm, Channel 4
This devastating two-part documentary details the crimes of John Smyth, a barrister involved in conservative evangelical Christian camps. Over the course of four decades, Smyth subjected more than 100 boys to horrific sexual and physical abuse. Why wasn’t he stopped? Witnesses, including his victims and his own children, speak about life in close proximity to this monstrous man – and about the cover-up that meant he never faced justice. Phil Harrison

The actor’s publicist and manager worked with him for more than 30 years, before his death in 2023. They discuss the man behind the headlines – and why they are continuing his mission to help others struggling with addiction

Watch the third season of Friends, writes Matthew Perry in his memoir, and you can see how thin he had become by the end of it. “Opioids fuck with your appetite, plus they make you vomit constantly,” he writes. Look again, and yes – his fragile wrists emerge from a shirt that looks as if he has borrowed it from someone far larger, his trousers hang off him – and it’s unbearably sad now, with the knowledge that addiction would kill Perry nearly 30 years later, at the age of 54. At the time, most people watching probably wouldn’t have noticed, dazzled instead by Perry’s sharpness and immaculate comic timing as Chandler Bing, the show’s dry wit. He was having to take 55 Vicodin pills a day – an opioid - just to function and avoid terrible withdrawal symptoms, but he was never high while he was working, he writes in Friends, Lovers and the Big Terrible Thing, which came out in 2022. He just had to make it to the end of the season so he could get help. Had the series lasted for more than its 25 episodes, he thought it would have killed him.

That was the first time Perry went into rehab. He was 26, and one of the biggest stars in the world. There would be more than 65 attempts to detox from drug and alcohol addiction over the next decades until his death in 2023. Last week, a doctor was sentenced to two-and-a-half years in prison for supplying ketamine in the lead-up to Perry’s death (though not the ketamine that killed him); three others who have pleaded guilty will be sentenced in the coming months.

This deeply moving documentary celebrates the lives of the three girls who were killed in an attack on their dance class last year – and becomes a miraculously powerful tale of turning heartbreak into hope

If losing a child is the worst thing, the very worst, that can happen to you, what must it be like to lose one in a tragedy that was national headline news? Alongside that insurmountable sadness comes the question of how to reconcile grief’s normally private, quiet bearing with the fact that your bereavement was a public event. Nobody would be blamed for staying out of sight, saying no to interviewers and documentary-makers, and holding the memories close. But in Our Girls: the Southport Families, we see how a loss shared can be miraculously powerful.

Nine-year-old Alice da Silva Aguiar, seven-year-old Elsie Dot Stancombe and six-year-old Bebe King were all murdered on 29 July 2024, when a man invaded a holiday dance class in Southport, Merseyside and attacked children at random. The programme does not linger on the horror, or speak the killer’s name: instead it begins by introducing us to the girls as their parents remember them. Alice “was magic, she was wonder … the best daughter we could ask for”; Elsie “was unforgettable … she taught us how to be a mum and dad”; Bebe “was pure joy: everything was in a dance, everything was in a song”.

Their relatives might have been on opposite sides of near-nuclear war, but the US and Soviet leader’s descendants have teamed up for an intimate BBC podcast. They talk humanity, hate – and why Trump is a ‘very limited’ man

In October 1962, the world came closer to destruction than at any other point in modern times. After a US surveillance plane discovered that Soviet nuclear missile sites were being built in Cuba, less than 100 miles from the US mainland, President John F Kennedy responded by ordering the US Navy’s Sixth Fleet to impose a naval blockade around the island. Almost two weeks of impossible tension followed.

The threat was clear. If Kennedy, or his Soviet counterpart, Nikita Khrushchev, fired on their enemy, a chain reaction of global nuclear strikes and counterstrikes would have followed, plunging humanity into all-out ruination.

Hollywood is still trying to court younger audiences but this year’s crop of new comedies, from Adults to I Love LA, have yet to prove essential

This year, despite not particularly liking the show nor wanting to, I have thought a lot about the opening scene to Adults. The FX half-hour comedy about a group of recent college graduates in New York begins, naturally, on the subway; what seems like an over-studied portrait of early adulthood intimacy – tangled limbs, in-group references, aggressively relaxed banter – quickly devolves into a standoff between a creepy subway masturbator and the group’s instigator, Issa (Amita Rao), trying to out-masturbate him to make a wildly off point about feminism. “Is this the world you want?!?” she shouts at him, hand vigorously in pants.

The moment is intentionally off-putting, perhaps too much so – I’m as ripe as anyone for surprise, but found the try-hardness of this shock memorably irksome. Yet it’s also unintentionally revealing: this, it implicitly screams, is a show to get young people’s attention. A similar anxiety courses through the opening of I Love LA, HBO’s west-coast rejoinder to Adults that is similarly pitched as a zeitgeist-y take on the thrilling chaos of young adulthood. We meet Maia, played by creator and co-writer Rachel Sennott, mid-sex with her boyfriend, heedlessly determined to come before going to work, even if it means ignoring an earthquake.

The big-name US talkshow host goes all Fab Four superfan in this historical take on the lives of John, Paul, George and Ringo. Plus, Naomi Fry delivers a rich deep dive into The Doors’ legacy

The popular show’s two-part special on the Fab Four has, bizarrely, prompted its Beatles sceptic co-host Dominic Sandbrook to refuse to appear. But his mega-starry replacement is Conan O’Brien, in for an engaging chat with Tom Holland through the career of John, Paul, George and Ringo. Their USP? Says Holland: “We’re a history podcast rather than a music podcast so we need to make the case that the Beatles are significant historically.” Alexi Duggins
Widely available

Until she reached her 50s, the actor was a constant presence on stage and screen. Then the offers disappeared. Now, as her renaissance continues, she is taking on Mrs Malaprop in The Rivals

After six decades as an actor, Patricia Hodge says she still gets nervous before a play opens. “I think nerves are always the fear of the unknown,” she says. “Particularly with comedy, where there is no knowing how the audience will react: you’ve got to surf that.”

We meet on a sunny winter morning at the Orange Tree theatre in Richmond, south-west London, where Hodge is about to appear in The Rivals, to celebrate the 250th anniversary of the Richard B Sheridan play, in which she plays the ironic – sorry, iconic – Mrs Malaprop. “You’re sort of in a tunnel, your entire being is focused on this,” she says. She was here in rehearsals until 11pm the night before. Today, she is sitting at a table with a large coffee. Does she enjoy this bit, the putting together of a play? “I think it’s love-hate actually. The process is really why I do theatre.” She says she finds it energising, “but it’s also very trying, and you just don’t want to be left with your own limitations”.