Actor who played Walter White Jr and who advocated for disability representation is remembered by Bryan Cranston as ‘my sweet son’

• RJ Mitte – a life in pictures

The actor RJ Mitte, whose personal experience living with cerebral palsy informed his role as Walter White Jr in the television series Breaking Bad, has died aged 34 in Brownsville, Texas.

“It is with profound sadness that we share the tragic passing of beloved actor, philanthropist, and passionate disability rights advocate RJ Mitte,” Mitte’s representatives said in a statement. “Drawing from his own experience living with cerebral palsy, Mitte brought authenticity to the role and built a platform on disability awareness and inclusion.”

Mobeen Azhar isn’t afraid to tackle hard topics in a brilliant documentary about the rise of Islamophobia – even when it involves hearing criticism about his own decisions

In 2024, the journalist Mobeen Azhar made a documentary called Small Town, Big Riot that ought to have been highly influential, but, in our atomised modern media landscape, wasn’t. He deconstructed how anti-immigrant racists, radicalised by online propaganda, lies and hearsay, end up on the streets perpetrating shocking violence and rioting against a largely imaginary foe.

Azhar’s new film tackles a wider, thornier problem and is less satisfying as a result. But in his willingness to debate hard topics – even if it means hearing difficult arguments, some of which are aimed at him personally – he is still provoking thoughts and airing views that better-known journalists would never go near.

As she leaves the Traitors castle to star in The Pelicot Trial and receive a lifetime achievement award, the actor has highlighted ‘a loss of regional identity’ caused by funding pressures on UK theatres

There has been “a loss of regional identity” in the stories on stages around the UK due to the challenging circumstances facing theatres, according to Julie Hesmondhalgh.

The actor, who last week was the fourth contestant to leave The Celebrity Traitors, observed that for financial reasons regional theatres are increasingly making co-productions with other venues. This can lead to a “generic” product, she said, rather than a show that specifically says something about the local area.

Peter Flannery’s 90s TV drama classic is getting a theatre reworking in Newcastle. The director and cast talk about doing justice to its themes of scandal and decay – and emulating its star-making actors

In a small room at the top of Newcastle upon Tyne’s Live theatre, four actors are bringing to life the principal characters from one of British television’s best-loved dramas. Sitting around a table strewn with coffee cups, water bottles and annotated scripts, Tosker and Geordie have been boozing in a nightclub and weighing up their chances of pulling. Mary and Nicky have been arguing about whether they have a future together.

The scenes are from a new stage version of Our Friends in the North, the landmark nine-episode series first broadcast in 1996 on BBC Two. Set against a backdrop of Labour politics and police corruption, it charted 30 years in the lives of four working-class geordies and made stars of Mark Strong, Daniel Craig, Gina McKee and Christopher Eccleston. It was a hit with critics and viewers, won awards and regularly makes “greatest ever” lists.

Mobeen Azhar and Masood Khan look at life after the terror attacks. Plus: investigating Roman Abramovich. Here’s what to watch tonight

9pm, BBC Two
“There was a time, 25 years ago, when being a British Muslim was OK,” says journalist Mobeen Azhar. “We were on the cover of magazines, getting elected to parliament and even captained the England cricket team.” Then 9/11 happened. He and his film-making partner, Masood Khan, have made this documentary to explore how the terror attacks affected the Muslim community – including their own experiences – and why they still reverberate today. Hollie Richardson

Did Robert Louis Stevenson’s timeless swashbuckling tale need the addition of a superpower? Is it better for reducing its young hero to an afterthought? Nope

A lever groans, a pipe judders and thunk: another unsolicited adaptation of a beloved literary classic is deposited on our screens. This particular emission is a six-part take on Treasure Island, Robert Louis Stevenson’s timeless tale of swashbuckling adventure, high-seas treachery and thick eyebrowed youths in tiny britches wrestling with double-edged superpowers. The 19th-century novel has of course long captured the public imagination, its themes of … hang on. Superpowers? Aye, that there be. An’ plenty more bilge besides. For this US-UK co-production be what lubbers refer to as a “reimagining”. Which essentially means much effort has been made to “jazz up” – or, if you will, “ruin” – the source material.

And so, for better or significantly worse, the Jim Hawkins (Tom Sweet) of this new Treasure Island, titivated by writer Robert Murphy, has been given a photographic and possibly quasi-mystical memory; a preternatural talent for recollection that is demonstrated in scenes of much whooshing excitement. Here we find the youngster scowling at various documents while the soundtrack whispers mysteriously and the camera zooms slowly in then quickly out of his face, like a bee too embarrassed to ask for directions to the toilet. Not that any of this makes him interesting, mind.