The hit Elizabeth Holmes documentary led to increased interest in the award-winning narrative series on Hulu as well as Bad Blood, a 2018 book on the scandal
Interest in Elizabeth Holmes and the Theranos fraud scandal has surged amid buzz for You Can See Everything, the record-breaking documentary on the disgraced former CEO.
Viewership for The Dropout, the 2022 Hulu series starring Amanda Seyfried as Holmes, surged by 186% in September compared with the month prior, according to Variety, after the announcement on 6 September of the previously secret film’s first teaser.
Nathan Fielder’s secretive Elizabeth Holmes documentary has become a sold-out smash hit and might make Oscars history
Spoilers ahead
If there is one moment that sums up You Can See Everything, the new A24 documentary on Elizabeth Holmes that until this weekend was shrouded in spoiler-averse secrecy, it is, perhaps surprisingly, the one everyone already knows: co-director Nathan Fielder, the droll comedian known for deadpanning subjects into submission, sitting eye to eye with Holmes, the unblinking fabulist of Theranos infamy. In tight zoom, saturation turned up – Fielder’s arched brows and Holmes’s oceanic blue eyes as stark as two magnetic poles – he asks her: “Are you being real right now?”
That question hangs over much of the colossal three-hour movie, particularly a claustrophobic first half that has made headlines since the film’s existence was announced in September. That first half – essentially, the only part of the movie anyone respecting spoiler guidelines and/or the theatrical experience could talk about – takes place entirely in 2023, when Fielder and his co-director Lance Oppenheim, along with a small crew, embedded with Holmes, her husband, Billy Evans, and their two small children in the run-up to her prison sentence for fraud. We watch as Fielder, over a few surreal weeks in a beachfront rental, attempts to puncture Holmes’s indomitable facade of faultlessness. It’s not exactly comedic, this chess game between three norms-ignoring people, but it can be quite funny: TV’s grand illusionist, an absurdist auteur who will go as far as actually obtaining a 737 pilot’s license for the bit, stymied by a world-class fabricator, with her poorly dissembling husband on the side. This section resembles, in feel, the pull of an internet wormhole: the closer you zoom in on a subject, without outside context, the more sense devolves. Was Holmes “being real”, for instance, when she told Fielder, with seemingly complete sincerity, that she has never told a lie in her life? Or when she continued to insist, despite plain reality, that Theranos devices could perform 1,000 diagnostic tests?
The entrepreneur turned fraudster is the subject of an Oscar-tipped new documentary that takes an unusual look at her strange legacy
David Agus’s first encounter with Elizabeth Holmes at a health conference came as a shock. The Holmes he met in the green room was personable and pleasant. The Holmes he interviewed on stage was altogether different.
“The accent changed: this deep voice, very serious,” Agus, a medical oncologist, recalls by phone from Los Angeles. “It was as if I had met a person and then interviewed a separate person. That transition from the green room to the stage – I had never experienced something like that before.”
Primetime and You Can See Everything are both clammy, audacious awards contenders that challenge our sense of reality. Ahead of the release of his drama starring Robert Pattinson as a TV vigilante, the 30-year-old director talks crime, punishment and South Park
To direct one movie that is on everyone’s lips in awards season is remarkable. To make two begins to look like sorcery. That is the position in which the 30-year-old Florida-born film-maker Lance Oppenheim now finds himself. Next month brings the release of You Can See Everything, the three-hour documentary which he co-directed with faux-naif deadpan prankster Nathan Fielder, in which they spend a month living with the disgraced health-tech mogul Elizabeth Holmes before she begins her 11-year prison sentence for fraud and conspiracy. The film, described by Oppenheim as “head-spinning” and so shrouded in secrecy that Variety magazine’s list of Oscar predictions identifies one of its cast members only as “[Redacted]”, is expected to become the first documentary nominated for best picture.
When I meet Oppenheim in a London hotel, it is to discuss his other hot ticket, Primetime, for which Robert Pattinson is the one attracting Oscar buzz. The Batman actor gives a high-wire performance as Chris Hansen, the sensationalist US television vigilante renowned for ambushing paedophiles on To Catch a Predator, which was a disreputable and highly addictive segment of the current affairs show Dateline NBC between 2004 and 2007. Hansen later parlayed the idea, and his crusading shtick, into a succession of spin-offs. Some, including Hansen Vs Predators, had the same sleazy catnip quality. Others, such as a sting to collar bicycle thieves, did not.
The founder of the blood-testing start-up Theranos was sentenced to 11 years in prison for fraud and had been serving time at a minimum-security federal prison in Texas.
The Theranos founder Elizabeth Holmes, who was convicted of fraud in 2022 and sentenced to 11 years behind bars, is expected to be transferred to a halfway house next August.
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