China Is Getting Much of What It Wants From the U.S., Including Chips

© Haiyun Jiang/The New York Times

© Haiyun Jiang/The New York Times

© Jiji Press, via Agence France-Presse — Getty Images
Japan House, London
The fruit of a two-year odyssey through the workshops of artisans using ancient techniques, this delightful show features rippling chestnut trays, exquisitely turned kettles and vessels crafted from petrified leather
As a retort to the doom-mongering prognostications of AI’s dominance over human creativity, it is momentarily comforting to tally up the things it cannot do. It cannot throw a pot, blow glass, beat metal, weave bamboo or turn wood. Perhaps, when it has assumed absolute control of human consciousness and the machinery of mass production, it will be able to. But for now, throwing a vessel and weighing its heft in your hand, or carving a tray and sizing up its form with your eye are still the preserve of skilled craftspeople, using techniques their distant ancestors would recognise.
On show at London’s Japan House is the work of more than 100 pairs of eyes and hands, constituting an overwhelming profusion of human creativity, corralled into an exhibition of laconic simplicity. About 2,000 objects – bowls, trays, cups, metalwork, glassware and some perplexing bamboo cocoons – are grouped according to their makers on long, softly lit display tables. At first glance, you might think you have stumbled into an especially refined John Lewis homeware department, but then you notice the delicate black and red lacquer work, the gleaming gold on the inside of a perfectly shaped sake cup, the intricacy of the bamboo and some eccentrically shaped vessels, like alien seedpods, that look like ceramics but turn out be a kind of petrified leather.
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© Photograph: Jeremie Souteyrat/Japan House London

© Photograph: Jeremie Souteyrat/Japan House London

© Photograph: Jeremie Souteyrat/Japan House London
Unfettered love for late photographer in France and elsewhere stands in contrast to occasional reservations in UK
The death of Martin Parr, the photographer whose work chronicled the rituals and customs of British life, was front-page news in France and his life and work were celebrated as far afield as the US and Japan.
If his native England had to shake off concerns about the role of class in Parr’s satirical gaze before it could fully embrace him, countries like France have long revered the Epsom-born artist “like a rock or a movie star”, said the curator Quentin Bajac.
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© Photograph: Dpa Picture Alliance/Alamy

© Photograph: Dpa Picture Alliance/Alamy

© Photograph: Dpa Picture Alliance/Alamy
Officials said probability of a magnitude 8 or larger quake was only about 1% but they have urged people to be prepared
Japan has issued a megaquake advisory after a magnitude 7.5 earthquake struck off the eastern coast of Aomori, the northernmost prefecture of Japan’s main island of Honshu.
Damage from the quake was modest – 34 mostly mild injuries and some damage to roads and buildings.
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© Photograph: Francois Greuez/SIPA/Shutterstock

© Photograph: Francois Greuez/SIPA/Shutterstock

© Photograph: Francois Greuez/SIPA/Shutterstock
The Emily in Paris actor and writer of the Tony-nominated Slave Play remains in Japan while prosecutors investigate the alleged discovery of MDMA in his bag
The American playwright and Emily in Paris actor Jeremy O Harris has been released three weeks after his arrest in Japan on suspicion of drug smuggling while prosecutors investigate, police said Wednesday.
Japan has some of the world’s strictest drug laws, and possession of illegal narcotics can result in jail time. Prosecutors also have a very high conviction rate.
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© Photograph: Evan Agostini/Invision/AP

© Photograph: Evan Agostini/Invision/AP

© Photograph: Evan Agostini/Invision/AP
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