In Narromine – redubbed ‘Dollymine’ for the weekend – the country music star’s face is everywhere and a warm spirit of inclusivity is all-embracing

On a sporting oval in a rural Australian town 15,000km from Knoxville, Tennessee, dozens of Dolly Partons saunter down the runway as a boisterous crowd cheers and swats away flies with their cowboy hats.

As the sun begins to set, Jim Beams are flowing and music is blaring. One lucky punter is about to be crowned this year’s best-dressed Dolly, complete with sash, trophy and bragging rights.

The Narromine Line Dancers chat before performing for the crowd

Storm expected to make landfall on US’s northern Gulf coast with risk of flash floods and isolated river flooding

Isaias has become the first Atlantic hurricane of the 2026 season, with wind speeds of 80mph and a minimum pressure of 975mb. It is expected to strengthen to a category 2 hurricane as it approaches the US’s northern Gulf coast on Friday, according to the National Oceanic and Atmospheric Administration (NOAA).

As a result of the strong El Niño, it has been a notably quiet Atlantic hurricane season. The first hurricane of the season has not formed this late since 8 October 1905, which pre-dates the satellite era (1960s) for tracking hurricanes that has allowed for more non-landfall hurricanes to be discovered.

Wendy Wales and Tony Lonergan’s four-year fight over MACH Energy’s Mount Pleasant coalmine went all the way to the high court

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When Wendy Wales and Tony Lonergan and a few of their neighbours in the New South Wales Hunter region decided to take on the expansion of a local coalmine, people thought they were “crazy” to engage in the David and Goliath battle.

“When we started this, people thought we were crazy – a little community group taking on a billion-dollar coal company, arguing that the climate harm from burning this coal is our problem too,” Wales says.

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Sidney Nolan’s famous Ned Kelly series is on display as part of an exhibition of work from the artist’s formative years, now showing at the Art Gallery of New South Wales. But senior curator Denise Mimmocchi walks us through the exhibition to highlight a lesser-known earlier work, which Nolan created when he was conscripted in the army, stationed at Victoria’s Wimmera region in 1943. Mimmocchi explains why Kiata was a breakthrough painting for Nolan, and also a breakthrough moment for Australian modern art