Norwich Theatre Royal
There are eye-popping designs, playful puns and musical flourishes as Joe Tracini’s story unfolds on its own madcap shoreline

Here is a sun-kissed panto to dispel any dreams of a white Christmas. Joe Tracini’s script is set in the seaside town of Crabbington Sands where a pastel-dressed ensemble make merry with Aimee Leigh’s breezy choreography. Cinderella’s sisters, gruesome twosome Lou and Lav (cue toilet-flush effect), could have stepped out of an outrageously saucy postcard. Designer Kirsteen Wythe gifts them lurid costumes best seen with UV protection. They include a beach ball-shaped dress, a bucket-and-spade hat, fairground-ride frocks and wigs seemingly woven with fishing rope.

Cinderella’s parents ran a local hotel that has been shuttered since she lost them, and she yearns for new adventures, a longing captured in an opening rendition of Natasha Bedingfield’s Unwritten. In the lead role, Georgia May Foote brings a big sister vibe to her crowdwork with the young audience that also underlines how Cinders sees the hopelessly devoted Buttons (Tracini) as a brother. But she is written to be a bit insipid, and there is little spark to her romance with a wannabe rock-star prince (Danny Hatchard, poised between buffoon and decent bloke).

York Theatre Royal
Paul Hendy’s panto includes some silly surprises, well-handled audience interaction and a twinkling dame

Anyone remember the bit in Sleeping Beauty with the velociraptor named Kevin? Me neither. But an incongruous dinosaur sidekick is just one of the wonderfully silly additions to this take on the fairytale, along with a daft classroom routine, some capering ghouls and a regiment of toy soldiers come to life.

Now in the fifth year of its current formula, helmed by panto veteran Paul Hendy as writer-producer, the York Theatre Royal’s festive offering feels solidly bedded in. It’s reliably crowd-pleasing and family-friendly, with a string of familiar set pieces to delight those who come back year after year. We know there will be the slop scene, the ghost bench, the pun-packed comedy routine, the pre-interval spectacle. Part of the joy is in waiting for these moments and wondering what new twist will be put on them.