The pair’s first feature-length adventure stars Jemaine Clement and Olivia Tennet, has a dreamy soundtrack and beautiful stop-motion visuals – fantastic family fun

Kiri is a lively yellow dinosaur, Lou is an amiable purple palorchecie (a fictional beast, vaguely resembling a palorchestes, which in turn vaguely resembles a giant tapir) – and if you’ve been watching their CBeebies show, which hails from New Zealand and consists of 5-minute episodes, you’ll know they’re the best of friends despite their ingrained temperamental differences. But how did they become friends in the first place? For the uninitiated, Kiri and Lou Go Raaa! functions as an introduction to the characters and their world, while for fans it’s a delightful origin story.

At only one hour long, the runtime is toddler-friendly – and to be honest, there are plenty of films marketed at adults that could learn a lesson from writer-director Harry Sinclair’s economical storytelling. (Sinclair is also the writer of the TV series, alongside Buffy the Vampire Slayer writing alum Rebecca Kirshner.) With the voice acting talents of Olivia Tennet (Freda in Lord of the Rings: The Two Towers) and Jemaine Clement (Flight of the Conchords), plus dreamy songs from Don McGlashan (Blam Blam Blam, The Front Lawn), Kiri and Lou Go Raaa! would arguably work superbly as an audiobook or radio show – except the visuals are a treat too.

Hamam al-Hammami spent 175 days in New Zealand until May 2019, as Australian Jewish group calls for full investigation into his time in Melbourne

New Zealand authorities have launched their own investigation into the flydubai co-pilot who allegedly tried to hijack an Israel-bound plane, after police confirmed he underwent flight training there about a year after he abandoned a degree in Australia.

Disaster was narrowly averted on 30 September when passengers and crew intervened to stop the alleged attempt of the co-pilot, Hamam al-Hammami, 29, to take control of a flight to Tel Aviv with 182 people onboard.

Director Paloma Schneideman explores issues of consent and queerness in coming-of-age film set in New Zealand

In Big Girls Don’t Cry, the New Zealand coming-of-age film quietly devastating film festivals, there is a scene on a moonlit beach. It features the main character, Sid, played by Ani Palmer, and one of the cool older city boys who has come to the small, golden-sand town of Ōmaha for the summer. It is a deeply relatable, deeply uncomfortable watch; reliving the teenage negotiation – or not – of consent feels unsettling and validating.

“Yeah, an 18-year-old at the screening last night said, ‘I feel so seen and exposed,” director and writer Paloma Schneideman, 34, says. “I was like, whoa, that’s quite an astute way to think about it. One is cathartic and healing, and the other is quite confronting.”

Government report finds the country could be hit with more frequent and intense heatwaves, as well as damaging storms and cyclones

New Zealand could be hit with more frequent and intense heatwaves and catastrophic glacier melts in the near future, as greenhouse gas levels hit record highs, a new report about the nation’s climate has revealed.

Released on Wednesday, the Our Atmosphere and Climate 2026 report shows New Zealand is experiencing mounting climate pressures, which will have wide-reaching implications for the environment, native species and communities.