LG's Software Update Forces Microsoft Copilot Onto Smart TVs
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Who’s that daring young farmyard animal on the flying trapeze? The creatures of Mossy Bottom have been put on stage by ‘edgy’ circus stars Circa – but the burlesque shearing had to go
‘It’s a family drama,” says Yaron Lifschitz. “It’s kind of a minor key, gently comic version of the Oresteian trilogy. Without the dismemberment and murder and purple carpets.” Lifschitz is talking about his latest production for Circa, the acclaimed Australian contemporary circus group. Is it a Greek epic? A state-of-the-nation drama? A searing emotional journey? Nope, none of those. It’s a fun, family circus show based on that cheeky cartoon character Shaun the Sheep.
You might not think the antics of an anthropomorphic flock of farm animals can be compared to Aeschylus, but Lifschitz sees characters bound together as family with different personalities, friends and enemies, having to work out how to live together. Shaun the Sheep has been a huge success since the character originated in Wallace & Gromit: A Close Shave in 1995. The stop-motion series launched in 2007 has been broadcast in more than 50 countries, and had multiple spin-offs including two feature films and another one in the pipeline.
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© Photograph: Joel Goodman/The Guardian

© Photograph: Joel Goodman/The Guardian

© Photograph: Joel Goodman/The Guardian
With public service broadcasters starting to look like ‘endangered species’, many want Channel 4 and BBC to work more closely
The prospect of Comcast taking over ITV has prompted concerns about the impact on British public service broadcasting, a fact that Channel 4’s new chief executive, moving from a senior post at Sky, will be all too well aware.
Sky’s advertising chief, Priya Dogra, will now be expected to lead the charge to block her former employer’s takeover plan to protect Channel 4.
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© Photograph: Ken McKay/ITV/Shutterstock

© Photograph: Ken McKay/ITV/Shutterstock

© Photograph: Ken McKay/ITV/Shutterstock
From Judi Dench’s very naughty tea with Kenneth Branagh to the Peep Show Bake Off special – including Olivia Colman! – here’s your definitive guide to the best holiday viewing. Bring it on
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© Composite: Guardian Design

© Composite: Guardian Design

© Composite: Guardian Design
The former X Factor judge is back, auditioning boyband wannabes for his latest talent show – but gen Z doesn’t seem to care very much, or even know who he is
Have we gone back in time to 2010? If only! No, Simon Cowell is just back in the headlines, reasserting his svengali status for his new Netflix show. Reviews suggest that Cowell’s attempted comeback, 15 years since his celebrity peak, highlights less his particular star power than how totally the world has moved on. But is there anything to learn from SyCo now, and will his new boyband work? Let’s see!
1. Cowell is chasing a new direction
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© Composite: Guardian Design; Amanda Edwards/Getty Images

© Composite: Guardian Design; Amanda Edwards/Getty Images

© Composite: Guardian Design; Amanda Edwards/Getty Images
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Trump and Vance head to South Park in Christmas gear for a big showdown – only for Jesus to show up. At one point, you can almost feel Trey Parker and Matt Stone taking a stand against the US government
Coming off its most controversial and highest rated season in years, South Park had high expectations to meet with its season finale. Given how infamously down-to-the-wire its production schedule is – showrunners Matt Stone and Trey Parker often don’t start writing scripts until the week they’re set to air, working up to the 11th hour to turn in a completed episode (a method that caused them to miss a deadline earlier this year) – there was some question as to whether they would be able to tie everything up at all, let alone in a satisfying manner.
Most viewers were probably anticipating a giant, apocalyptic climax to the various long-running storylines – chief among them Donald Trump’s attempts to kill his and his lover Satan’s soon-to-be-born spawn. Instead, Stone and Parker swerved expectations, delivering an introspective and ultimately melancholy climax, one that managed to balance hope and despair in equal measure, alongside the outrageous shock humour for which they’re famous.
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© Photograph: Paramount

© Photograph: Paramount

© Photograph: Paramount
The tan, the fringe, the warmth and wit – there’s no other TV host quite like her
When King Charles gave Claudia Winkleman her MBE on Tuesday, he looked more delighted than she did. And rightly so. It’s basically blasphemy at this point not to want to be her best friend.
The National Treasure of National Treasures’ rise to royal appointment, and superstardom, is all the more pleasing because, on paper, it’s so unlikely. She is an anomaly among TV presenters, and not only because reading the Autocue must be a challenge when you have a fringe that long.
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© Photograph: WPA/Getty Images

© Photograph: WPA/Getty Images

© Photograph: WPA/Getty Images
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Howlingly funny comedy, jaw-dropping documentaries and astonishing drama … it’s been another fantastic year of TV. Our countdown of the very best kicks off here
• More on the best culture of 2025
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© Composite: Guardian Design/NETFLIX/HBO

© Composite: Guardian Design/NETFLIX/HBO

© Composite: Guardian Design/NETFLIX/HBO
Head of advertising and data at Sky will lead C4’s response to threatened Comcast takeover of ITV
Channel 4 has raided Sky for its new chief executive as the broadcaster faces the prospect of a takeover of ITV by Comcast that would pose the biggest threat in its four-decade history.
Its board is understood to have agreed the appointment of Priya Dogra, the head of Sky’s advertising, data and new revenue, as its new chief executive.
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© Photograph: Royal Television Society/Youtube

© Photograph: Royal Television Society/Youtube

© Photograph: Royal Television Society/Youtube
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Read more of this story at Slashdot.
Read more of this story at Slashdot.
By the time the second group of NASA astronauts reach the Moon later this decade, the space agency would like to have a lunar rover waiting for them. But as the space agency nears a key selection, some government officials are seeking an insurance policy of sorts to increase the program’s chance of success.
At issue is the agency’s “Lunar Terrain Vehicle” (LTV) contract. In April 2024, the space agency awarded a few tens of millions of dollars to three companies—Intuitive Machines, Lunar Outpost, and Astrolab—to complete preliminary design work on vehicle concepts. NASA then planned to down-select to one company to construct one or more rovers, land on the Moon, and provide rover services for a decade beginning in 2029. Over the lifetime of the fixed-price services contract, there was a combined maximum potential value of $4.6 billion.
The companies have since completed their design work, including the construction of prototypes, and submitted their final bids for the much larger services contract in August. According to two sources, NASA has since been weighing those bids and is prepared to announce a final selection before the end of this month.


© NASA
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