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Received today — 13 December 2025

‘This extraordinary story never goes out of fashion’: 30 authors on the books they give to everyone

13 December 2025 at 04:00

Colm Tóibín, Robert Macfarlane, Elif Shafak, Michael Rosen and more share the novels, poetry and memoirs that make the perfect gift

I love giving books as presents. I rarely give anything else. I strongly approve of the Icelandic tradition of the Jólabókaflóðið (Yule book flood), whereby books are given (and, crucially, read) on Christmas Eve. Nan Shepherd’s The Living Mountain is the one I’ve given more often than any other; so much so that I keep a stack of four or five to hand, ready to give at Christmas or any other time of the year. It’s a slender masterpiece – a meditation on Shepherd’s lifelong relationship with the Cairngorm mountains, which was written in the 1940s but not published until 1977. It’s “about the Cairngorms” in the sense that Mrs Dalloway is “about London”; which is to say, it is both intensely engaged with its specific setting, and gyring outwards to vaster questions of knowledge, existence and – a word Shepherd uses sparingly but tellingly – love.

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© Composite: Getty Images

© Composite: Getty Images

© Composite: Getty Images

Received yesterday — 12 December 2025

The best recent science fiction, fantasy and horror – review roundup

12 December 2025 at 07:00

Halcyon Years by Alastair Reynolds; Paris Fantastique by Nicholas Royle; All Tomorrows by CM Kosemen; The Salt Oracle by Lorraine Wilson; The Witching Hour by various authors

Halcyon Years by Alastair Reynolds (Gollancz, £25)
Yuri Gagarin, the Russian cosmonaut who was the first man in space, is reborn as a private eye on board the starship Halcyon as it draws nearer to the end of a centuries-long journey. Yuri knows he died for the first time back in the 1960s, long before the technology existed to launch such sophisticated spaceships, but believes his remains were preserved and stored for future revival. Onboard life is modelled on classic crime noir from the 1940s: men in hats, cigarettes and whisky, with no futuristic tech beyond some clunky, glitching robots. As he doggedly pursues the truth about the seemingly unconnected deaths of two teenagers from the most powerful families on the ship, Yuri gradually learns about himself. There’s a conspiracy that goes back generations in this clever, entertaining blend of crime and space opera.

Paris Fantastique by Nicholas Royle (Confingo, £9.50)
The third collection after London Gothic and Manchester Uncanny captures both the reality and the mysteries of contemporary life in Paris in 14 short stories, 11 published here for the first time. Royle is a genius at blending the ordinary with the eerie, and his stories range from displays of outright surrealism to sinister psychological mysteries that play out as suspensefully as Highsmith or Hitchcock. It’s a memorable, unsettling excursion through the streets, passages and banlieues of Paris, and a masterclass in writing evocative short fiction.

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© Photograph: Getty Images

© Photograph: Getty Images

© Photograph: Getty Images

Jonathan Coe: ‘I was a Tory until I read Tony Benn’

12 December 2025 at 05:00

The author on getting hooked on Flann O’Brien, reassessing Kingsley Amis, and why his grandfather was outraged by Watership Down

My earliest reading memory
Not my earliest reading memory, exactly, but my earliest memory of reading with avid enjoyment: The Three Investigators mysteries, a series of kids’ books about three juvenile detectives operating in far-off California (impossibly glamorous to me at the time) under the benign direction of Alfred Hitchcock, of all people. I devoured the first 12 in the franchise.

My favourite book growing up
Like everybody else growing up in the 1970s, I had a copy of Watership Down by Richard Adams on my bedroom shelves – it was the law. I did love it, though. Whatever fondness I have for the English countryside probably comes from that book. I remember my grandfather – a real country dweller – seeing me reading it and being outraged. “A book about rabbits?” he shouted. “They’re vermin!”

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© Photograph: Christopher L Proctor/The Guardian

© Photograph: Christopher L Proctor/The Guardian

© Photograph: Christopher L Proctor/The Guardian

Horror hit Paranormal Activity spawns a West End play – and even its director yelped with fear

12 December 2025 at 04:35

Inspired by the scary film franchise, playwright Levi Holloway and Punchdrunk maestro Felix Barrett are bringing the ‘bizarrely joyous’ world of terror to the stage

Malevolent spirits be damned – theatres can be haunted simply by the memory of bad plays and perhaps unscary horror in particular. The last time London’s Ambassadors theatre aimed to give audiences the shivers, with The Enfield Haunting, it led to some frightfully poor reviews. But a couple of years later, this intimate West End playhouse is hosting Paranormal Activity, a new instalment in the franchise that was kickstarted by a low-budget supernatural movie about a couple plagued by inexplicable nocturnal noises. “Hold your nerve” runs the play’s tagline – a directive you suspect applies not just to the audience.

Arriving at the theatre on the day of the first preview, it’s not creepy bumps and thuds that echo through the building but whizzing drills, sound checks and the last-minute discussions of a crew with a deadline. Perched in the dress circle bar, US playwright Levi Holloway and director Felix Barrett (best known as the founder of immersive theatre specialists Punchdrunk) are discussing how rarely they have been frightened in the theatre.

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© Photograph: Kyle Flubacker

© Photograph: Kyle Flubacker

© Photograph: Kyle Flubacker

Sophie Kinsella obituary

11 December 2025 at 14:18

Author whose Shopaholic series of romcom novels were global bestsellers and adapted into a Hollywood film

Sophie Kinsella, who has died of a brain tumour aged 55, was one of Britain’s most successful novelists, selling more than 50 million copies of her books, including the globally successful Shopaholic series. Through three decades she retained a loyal and passionate readership with her deceptively light and intricately plotted comic novels.

Like her best-known heroine, Becky Bloomwood, Kinsella began her writing career in financial journalism, but, realising she was uninspired (and probably not very good at it), she wrote a book, The Tennis Party, that was published in 1995, when she was 25, under her given name, Madeleine Wickham (“Maddy”). This was followed by five subsequent standalone “Aga sagas”, which all achieved moderate chart success and critical acclaim.

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© Photograph: Sarah Lee/The Guardian

© Photograph: Sarah Lee/The Guardian

© Photograph: Sarah Lee/The Guardian

Received before yesterday

Jarvis Cocker and Mary Beard announced as Booker prize judges

11 December 2025 at 12:59

The historian is set to lead a ‘stellar’ 2026 panel featuring the Pulp frontman and other acclaimed writers, as the search begins for next year’s standout work of fiction

Pulp frontman Jarvis Cocker will feature on the 2026 Booker prize judging panel that will be chaired by the classicist and broadcaster Mary Beard.

Novelist Patricia Lockwood has also been named as a judge, along with the poet Raymond Antrobus and Rebecca Liu, an editor at the Guardian Saturday magazine.

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© Photograph: Jim Dyson/Getty Images

© Photograph: Jim Dyson/Getty Images

© Photograph: Jim Dyson/Getty Images

Ever Since We Small by Celeste Mohammed review – a big-hearted Caribbean tale

11 December 2025 at 02:00

This Trinidadian family saga blurs the line between real and imagined to create a multilayered history of an island and its people

Ever Since We Small opens in Bihar, India in 1899. Jayanti dreams of a woman offering her bracelets. Within days, her husband becomes sick and dies. Widowhood is not an option and Jayanti prepares for her own sati. Determined to apply the “godly might of English justice” and uphold a law banning the practice, an English doctor and magistrate muscle in to stop her. In an 11th-hour volte face, Jayanti, desiring life over the afterlife, allows herself to be saved. Triumphant, the magistrate suggests she become his mistress, but instead she opts to be shipped off to Trinidad. The island, she’s told, is a place where the shame of her choice will be forgotten.

Ever Since We Small, Celeste Mohammed’s second novel-in-stories, is a more cohesive work than Pleasantview, which won the Bocas prize for Caribbean literature in 2022. The opening chapter follows on from an academic introduction and Mohammed’s style is more reverent, less ballsy and humorous, than the warts-and-all portraits drawn in Pleasantview; but casting characters from the distant past often has that effect on novelists. The tone is appropriate, however; Mohammed here is the sober observer taking in the fate of women like Jayanti, who if they have choices at all, they are between bad and worse.

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© Photograph: by Marc Guitard/Getty Images

© Photograph: by Marc Guitard/Getty Images

© Photograph: by Marc Guitard/Getty Images

Confessions of a Shopaholic novelist Sophie Kinsella dies aged 55

10 December 2025 at 07:53

The ‘queen of romantic comedy’ has died 18 months after announcing her brain cancer diagnosis

Madeleine Wickham, known for writing the bestselling novel Confessions of a Shopaholic under her pen name Sophie Kinsella, has died aged 55.

Wickham, dubbed “the queen of romantic comedy” by novelist Jojo Moyes, wrote more than 30 books for adults, children and teenagers, which have sold more than 45m copies.

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© Photograph: Murdo Macleod/The Guardian

© Photograph: Murdo Macleod/The Guardian

© Photograph: Murdo Macleod/The Guardian

Flat Earth by Anika Jade Levy review – fear and loathing in New York

10 December 2025 at 04:00

This sharp, bleak debut satirises the current cultural moment through the life and loves of a cynical young writer

There is a long tradition of stories about artists that are also about the question of how to represent life in art; novels about artists with toxic female friendships are more unusual.

Enter Anika Jade Levy’s slim and sharp debut Flat Earth, which shares its title with a film made by a woman whom Avery, the narrator, identifies as her best friend. Frances is a rich and beautiful twentysomething who becomes a “reluctant celebrity in certain circles” after her film, “an experimental documentary about rural isolation and rightwing conspiracy theories” in the modern-day United States, premieres to critical acclaim at a gallery in New York. Avery, meanwhile, is struggling to write what she describes as “a book of cultural reports”.

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© Photograph: PR

© Photograph: PR

© Photograph: PR

Dracapella review – power ballads and beatboxing as ghoulish comedy gets down for the count

10 December 2025 at 00:00

Park theatre, London
Gleefully leaning into all the cliches and groansome laughs, Dan Patterson and Jez Bond’s musical vampire romp is supremely silly

If ever there was a show where the title came first, you’d guess it was this one by Dan (Whose Line Is It Anyway?) Patterson and Jez Bond. Why else, if not to justify a pun, would you make an a capella singing version of the Victorian vampire novel? And Dracapella is nothing if not fond of a pun. (“There is a supernatural force at work in Transylvania.” / “Which is?” / “No, not witches.”) There’s lots more where that came from in this spooky comedy romp, in which an undead Romanian count concludes his 400-year search for love to a soundtrack of closely harmonised 80s power ballads and champion beatboxing.

The latter is all provided by ABH Beatbox, a cast member of the BAC Beatbox Academy’s Frankenstein, in whose globetrotting success I discern another (distant) inspiration for this music-gothic crossover. This one’s a more traditional affair, a knowing entertainment forever sending up its own storytelling cliches, and at every turn choosing groansome laughs over thrills. Arguably it lowers the stakes (it’s catching!) when a story about centuries-spanning passion becomes a vehicle for The Play What I Wrote-style larks. But the relentless silliness of Patterson and Bond’s confection amply compensates, as Harker’s train to Dover is decanted on to a rail replacement bus, and Dracula demonstrates his metaphysical powers by having his henchman consume – as if by magic! – a bowlful of marshmallows.

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© Photograph: Craig Sugden

© Photograph: Craig Sugden

© Photograph: Craig Sugden

On the Calculation of Volume III by Solvej Balle review – how to make a timeloop endlessly interesting

9 December 2025 at 02:00

The hypnotic third novel in the hit Danish series grapples with the philosophical realities of being stuck on repeat in 18 November

The time loop story, in which characters repeatedly relive the same span of time, has become synonymous with the 1993 film Groundhog Day, but the idea has much older roots. In PD Ouspensky’s 1915 novel Strange Life of Ivan Osokin, the feckless Osokin is given the chance to live his life over again, only to find himself making all the same mistakes. Like Groundhog Day’s insufferable Phil Connors, Osokin can change nothing without changing himself.

Solvej Balle’s much-lauded series On the Calculation of Volume takes a very different approach. She first began working on the idea decades ago, several years before Groundhog Day was released. The film, she says, “helped me with research by trying out some of the roads I did not want to take”. The books, five so far with two more planned, have proved a literary sensation in her native Denmark, with the first three volumes together scooping the 2022 Nordic Council Literature prize, the highest literary honour in Scandinavia. This is the third to be published in English this year; the first was shortlisted for the 2025 International Booker prize.

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© Photograph: Bernhard Lang/Getty Images

© Photograph: Bernhard Lang/Getty Images

© Photograph: Bernhard Lang/Getty Images

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