For more than three decades, Michael Gove has been a leading figure in British Conservatism. As a journalist, government minister and now editor of the Tory bible, the Spectator, he has helped shape the right even as it has moved further rightwards. In the latest episode of Radical Thinking, Gove joins Aditya Chakrabortty to discuss the future of the right, his record on Brexit and austerity, and the Spectator’s position on Islam.

Aditya’s suggested reading:

• To read the fruits of Michael Gove’s dalliance with the Marxism Today gang, look up his essay in a 1998 collection called The Moderniser’s Dilemma: Radical Politics in the Age of Blair.

• For a slalom ride through Michael Gove’s years in power, read The Demented Dalek by the historian Richard J Evans in the London Review of Books.

• To learn more about what’s become of the British right, there’s a column by me for the Guardian.

• Phil Burton-Cartledge examines why Britain's most successful political party is now failing in his book The Party’s Over: The Rise and Fall of the Conservatives from Thatcher to Sunak.

• Phil also writes a very good blog on British politics, which keeps a close eye on how each party is trying to marshal a coalition of voters. Here he is on Kemi Badenoch.

• Geoffrey Wheatcroft offers an entertaining short narrative in Bloody Panico!: or, Whatever Happened to The Tory Party

• For more on the economics of the Cameron years, this paper examines how the Tories failed to move the UK away from being a country of renters towards a country of makers. Two of its authors will join us for a podcast later in the series.

• And if you want to read how Brexit may have cost the UK 8% of GDP, read this paper based on data from the Bank of England.

• Finally, on the Spectator, read Nesrine Malik’s recent column in the Guardian: Why has Britain’s oldest political magazine become such a rabid cheerleader for Islamophobia?

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© Photograph: The Guardian

© Photograph: The Guardian

© Photograph: The Guardian

Authors withdraw book planned for young readers after disputes with editors over characterizations of 7 October

A book on Palestine for young readers was pulled at Penguin Random House just before its scheduled release, following editorial disputes between the publisher and the book’s Palestinian American authors over their account of Palestinian history.

In November 2024, Random House Children’s Books, a division of Penguin Random House, signed the book deal with Alana Hadid, a philanthropist, activist and older sister of models Bella and Gigi, and Jenan Matari, an author and communications strategist. The book was promoted for release in September this year.

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© Photograph: Getty

© Photograph: Getty

© Photograph: Getty

District court judge Timothy Kelly was ruling after the Trump administration blocked access to the three outlets in September

A federal judge ordered the White House on Tuesday to continue allowing journalists from CNN, MS Now and Politico to access the building as the media coalition’s lawsuit against the Trump administration plays out.

Timothy Kelly, a district court judge, had on 24 September granted a 14-day reprieve for the news organizations, which six days earlier had been banned by the president in an extraordinary move from entering the White House grounds “as a result of their constant ‘reporting’ FAKE NEWS”.

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© Photograph: Kevin Lamarque/Reuters

© Photograph: Kevin Lamarque/Reuters

© Photograph: Kevin Lamarque/Reuters

Jeremy Strong’s slow-talking Facebook founder turns into a cameo, background to a thriller about a whistleblower that somehow never mentions Trump

Here is a film for all those people who solemnly deplore social media in conversation but haven’t quite got round to deleting their accounts. Sixteen years have gone by since The Social Network, written by Aaron Sorkin and directed by David Fincher; this was the addictive, obsessive-compulsive movie about the birth of Facebook in Harvard’s macho-competitive cauldron of student sexism and nerdy self-pity, starring Jesse Eisenberg as the fast-talking, arrogant, not-necessarily-evil genius Mark Zuckerberg. Now Sorkin is back with a sequel of sorts, directing his own script – and now Zuckerberg is basically evil, but also weirdly slow talking, as if all the zinging, smart-alecky Sorkinesque dialogue energy of the first film has been siphoned away in early middle age and dispersed among the insurgents in the new cast.

Sorkin’s jittery, funny, syncopated style is unmistakable, as distinctive in its way as David Mamet, although he has one joke about “spatula” being a Yiddish word that he has borrowed from Philip Roth’s Portnoy’s Complaint. It is the story of how in 2021, Zuckerberg’s Facebook empire was challenged by courageous whistleblower-employee Frances Haugen and Wall Street Journal investigative reporter Jeff Horwitz, who were on a mission to tell the world how Zuckerberg, scared by falling revenue, changed the algorithm so that engagement was supercharged by rage bait and hate speech, malice and envy. Facebook, moreover, didn’t factcheck political ads, thus driving a huge, nationwide surge in extremist groups and teen bullying and becoming a major player in the Capitol riots. (Having said that, this film does not say aloud the word “Trump” and rather cravenly declines to specify Maga activity.)

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© Photograph: Everett Collection Inc/Alamy

© Photograph: Everett Collection Inc/Alamy

© Photograph: Everett Collection Inc/Alamy

Known for freewheeling fanfic, the self-publishing platform is turning into a content factory.

(slTheWalrus)

The tech giant must pay $3,000 per pirated book that it used to train its chatbot. Many authors fear they could lose funds to others in the book business.

© Jason Henry for The New York Times