Crystal Lake has dropped to mixed reviews (spoilers; Fanfare), but many horror-themed shows began streaming in 2026, e.g. Widow's Bay (14 Emmys; Fanfare); Carrie (episode 1; Fanfare); The Boroughs; Something Very Bad is Going to Happen (Fanfare); The Beauty (Fanfare); Below (Fanfare); The Shards; and Coven Academy. Animation in English includes The Doomies, Among Us (based on the game; Fanfare), and Stranger Things: Tales from '85. Also streaming in the US in languages other than English: Human Vapor (Japan; based on the classic film), My Sad Dead (Argentina; based on stories by Mariana Enriquez), I Would Rather Die (Mexico), City of Blood (Germany), shows in Korean like Spooky in Love, The East Palace, & If Wishes Could Kill (Fanfare), and a lot of supernatural anime. See also 2025, 2024, and 2023 including Junji Ito shows (previously).

PBS News Hour (9/16/2026), "Exhibition explores connection between Black women and the works of Shakespeare": "There's a sort of longstanding myth that Shakespeare's world was not a diverse world ... Black women ... lived and worked in London at the same time that Shakespeare was living and writing there ... Black women, as artists, as creators, as theater professionals themselves have used Shakespeare to tell their own stories." Video on Youtube. An excerpt from the exhibition catalog edited by Patricia Akhimie introduces the entire open access collection of essays, including Shanelle E. Kim's article on Frances DeBerry, the game show contestant mentioned on PBS News Hour. See also Esther Ferington's quiz on Black women and Shakespeare and Patricia Akhimie's previous lecture on "The Goodness of the Night: Editing Othello" (transcript).

Perhaps the days when auto shows debuted new models aren’t entirely over. The big trade shows for cars were a gateway drug for many, expos where you could see the newest models of today and the concepts of tomorrow. But automakers increasingly got tired of sharing the spotlight with each other. New reveals moved offsite to events the night or even the week before the show itself. One by one, brands pulled out of auto show after auto show until there was little left to see. And then the pandemic hit.

But the news out of Paris, where its auto show held media day yesterday, seems like we stepped back into a time when automakers would debut new cars aplenty. That retro vibe extends to the cars themselves, with plenty of familiar nameplates reimagined.

France’s Renault has a long and glorious history of delightful concept cars, and more on what it brought to Paris later. But the star of the show was arguably Stellantis, with strong work from Citroen, Peugeot, and Fiat, to name but three. But this article is meant to irritate you, because I’m pretty sure none of the stuff you’re seeing here will come to the United States. And it’s doubly irritating considering what Stellantis’ brands do offer us over here, doubling down on the same malign trends I saw back in 2020: did you know they’re about to relaunch a V8 Hellcat-powered Charger?

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