Linbury theatre, London
Six fearless singers and the Chroma Ensemble, conducted with arresting immediacy by Naomi Woo, rise to the challenge of the brutal musical onslaughts and anarchic orchestrations of Philip Venables’ raw, imaginative score

Sarah Kane revolutionised British theatre with five provocative plays written between 1995 and 1999. Her final work, 4.48 Psychosis, was her most personal, confronting the clinical depression she struggled with for years. The play was first performed posthumously in 2000, after she died by suicide in 1999.

The Royal Opera and Guildhall School of Music and Drama commissioned Philip Venables to adapt the play as an opera, which debuted in 2016. The composer, also known for a certain “in-yer-face” approach, set Kane’s original text almost entirely, realising its 24 disjointed sections in a raw, imaginative score teeming with minimalist licks, prickly synth-pop and consoling nods to the baroque. The libretto shifts between poetic abstraction and scathing exchanges between a patient and a psychologist. An ensemble of six female singers navigates themes of depression, isolation and the agonising choices surrounding medication.

Continue reading...

© Photograph: Tristram Kenton/the Guardian

© Photograph: Tristram Kenton/the Guardian

© Photograph: Tristram Kenton/the Guardian

It’s a quarter of a century since the company celebrating black and Asian ballet dancers was founded. With an autumn tour in full swing, step back in time through their striking shows

Continue reading...

© Photograph: Tristram Kenton/The Guardian

© Photograph: Tristram Kenton/The Guardian

© Photograph: Tristram Kenton/The Guardian

Authors withdraw book planned for young readers after disputes with editors over characterizations of 7 October

A book on Palestine for young readers was pulled at Penguin Random House just before its scheduled release, following editorial disputes between the publisher and the book’s Palestinian American authors over their account of Palestinian history.

In November 2024, Random House Children’s Books, a division of Penguin Random House, signed the book deal with Alana Hadid, a philanthropist, activist and older sister of models Bella and Gigi, and Jenan Matari, an author and communications strategist. The book was promoted for release in September this year.

Continue reading...

© Photograph: Getty

© Photograph: Getty

© Photograph: Getty

The Back to Black singer’s books, shoes and jigsaw puzzles have gone on display. Elsewhere, a leaky Barbican and some gloriously gloopy sculptures can be viewed in London galleries this week

Continue reading...

© Photograph: Eva Herzog/Courtesy the artist and the Nicoletta Fiorucci Foundation

© Photograph: Eva Herzog/Courtesy the artist and the Nicoletta Fiorucci Foundation

© Photograph: Eva Herzog/Courtesy the artist and the Nicoletta Fiorucci Foundation

Democrats on the Senate Finance Committee sent a letter to Mark Zuckerberg, Meta’s chief executive, questioning the company’s $6.6 billion in tax breaks.

© Gabriela Bhaskar/The New York Times

A decade after the premiere of his work setting Kane’s hard-hitting play, it’s returning to the Royal Opera House. The composer remembers its fevered beginnings, the sweat and tears shed along the way, and how it changed his life forever

In January 2015, I was on an overnight flight coming back from New York, having attended Prototype, a festival of new opera. I didn’t sleep a wink, but worked without stopping in a packed, dark, sleepy cabin, reading and annotating a book and furiously making notes on my laptop. As if in a fever dream, my mind whirled with text, music, dramaturgy, theatre.

Those six nocturnal hours were some of the most creatively fertile of my life. The book was 4.48 Psychosis; the annotations became the blueprint for an opera. Sarah Kane’s text had unlocked something in me, a fervour, a deluge of ideas. I could barely keep up, noting every impulse, every fantasy, as my mind pinballed around.

Continue reading...

© Photograph: © ROH/Stephen Cummiskey

© Photograph: © ROH/Stephen Cummiskey

© Photograph: © ROH/Stephen Cummiskey

Canadians Abroad "This short documentary from 1956 catches up with several talented Canadians who have found a home in the entertainment or arts scenes of London and Paris. Among them are Toronto-born Beverley Baxter, a baronet and MP who claims that London has a history of being invaded (first the Romans, now the Canadians), and then-aspiring novelist Mordecai Richler, who feels he has a better chance of making a living in England than he does back home."

As she leaves the Traitors castle to star in The Pelicot Trial and receive a lifetime achievement award, the actor has highlighted ‘a loss of regional identity’ caused by funding pressures on UK theatres

There has been “a loss of regional identity” in the stories on stages around the UK due to the challenging circumstances facing theatres, according to Julie Hesmondhalgh.

The actor, who last week was the fourth contestant to leave The Celebrity Traitors, observed that for financial reasons regional theatres are increasingly making co-productions with other venues. This can lead to a “generic” product, she said, rather than a show that specifically says something about the local area.

Continue reading...

© Photograph: Euan Cherry/BBC/Studio Lambert

© Photograph: Euan Cherry/BBC/Studio Lambert

© Photograph: Euan Cherry/BBC/Studio Lambert

The Lindsey Graham Sanctioning Russia Act, which the House will likely vote on this week [note: has voted on and passed], looks like a no-brainer for supporters of Ukraine who have been calling for President Trump to get tougher on Russia.... But the bill is not what it seems. The legislation would impose no significant new sanctions on Russia, and it would allow Trump to waive any of its measures simply by claiming that doing so is in the national interest. In other words, a law that appears to handcuff Trump would offer him a key to free himself. What's more, its most important provisions are about not sanctions per se, but tariffs. The bill could provide Trump with the same kind of sweeping authority to impose tariffs that the Supreme Court took away from him in February, allowing him to intensify his trade war with many of America's allies and partners.

Posted this because I saw an absolutely shameful number of articles about the Lindsay Graham Sanctions Bill that focused on the fact that two Democratic members of the House crossed the aisle to vote for it, while not reporting anything at all about the actual content of the bill. Total journalistic negligence to frame this as "both sides" obstructionism without mentioning that the entire bill is a sham. I hope Democratic messengers are taking note of this and making a plan to get out ahead of the propaganda messaging before this bill gets to the Senate. PS Another headline bill that's not as advertised (voted down in the Senate, thankfully): Crypto legislation would greenlight Trump corruption.